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Zeit Contemporary Art  Advisory services and private sales in modern, postwar and contemporary art

http://www.zeitcontemporaryart.com/

“There are no rules. That is how art is born, how breakthroughs happen. Go against the rules or ignore the rules. That is what invention is about.” —Helen Frankenthaler
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Image:
Helen Frankenthaler
Humming Gold, 1971
Acrylic on canvas
81 x 109 in (208.5 x 277 cm)
The Cleveland Museum of Art
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#helenfrankenthaler #frankenthaler #abex #abstractexpressionism #abstract #art #acrylic #painting #abstraction #gold #landscape #americanart #postwarart #contemporaryart #clevelandmuseum

“There's a kind of miracle involved with paint. It’s just this stuff in a tube... you squeeze out. It's this physical thing, yet you use it as a transforming agent.” —Elizabeth Murray
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Image:
Elizabeth Murray
Do the Dance, 2005
Oil on canvas on wood
9' 5" x 11' 3" x 1 1/2" (287 x 342.9 x 3.8 cm)
The Museum of Modern Art, New York

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#elizabethmurray #murray #painting #oil #canvas #abstractart #figuration #biomorphic #colors #dance #dancing #newyork #1970s #happiness #contemporaryart #moma #momacollection

Visual AIDS: Benefit Auction 2018 on Artsy. Support Visual AIDS in their commitment to fight HIV/AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy - because AIDS IS NOT OVER. Bid on works by Bryson Rand, Glenn Ligon, Louise Fishman, Paul Mpagi-Sepuya, Hugh Steers, Guerrilla Girls and more on Artsy, and view the works at the Postcards from the Edge preview party on January 19 and through the weekend at Gallery 524, located at 524 W. 26th Street.
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Image:
Bryson Rand
Matthew (Brooklyn), 2017 (Detail)
Archival Inkjet Print
17 × 22 in / 43.2 × 55.9 cm
Edition 1/2
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#visualAIDS #benefitauction #brysonrand #rand #photography #blackandwhite #queer #queerart #men #lgtbq #gay #gayhistort #newyork #brooklyn #yale #yaleschoolofart #art #contemporaryart #contemporaryphotography #portrait #nature #bodies #malebody

“As basic rules of a language must be practiced continually, and therefore are never fixed, so exercises toward distinct color effects never are done or over. New and different cases will be discovered time and again.” ―Josef Albers
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Image:
Josef Albers
Homage to the Square: Temperate, 1957
Oil on Masonite
81.3 x 81.3 cm / 32 x 32 in.
Private Collection
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#josefalbers #albers #square #monochrome #language #red #blue #color #colorcombination #oil #interactionofcolors #homagetothesquare #masonite #germanart #artist #art #postwarart #contemporaryart #abstraction #americanart

“I never understood why when you died you didn’t just vanish and everything could just keep going the way it was, only you just wouldn’t be there.” —Andy Warhol
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Image:
Andy Warhol
Little Electric Chair, 1964-1965
Acrylic paint and silkscreen ink on canvas
21 3/4 in. x 27 3/4 in. (55.25 cm x 70.49 cm)
Collection of The Andy Warhol Museum, Pittsburgh
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#andywarhol #warhol #littleelectricchair #electricchair #disasterseries #death #painting #acrylic #silkscreen #canvas #americanart #art #1960s #pop #popart #postwarart #andywarholmuseum #pittsburgh

“I think of myself as a Romantic Symbolist.” —Cy Twombly
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Cy Twombly
Untitled (Bacchus), 2008
Acrylic on canvas
125 x 184 in (317.5 x 468.3 cm)
Tate, London
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#cytwombly #twombly #largecanvas #painting #bacchus #classics #mediterranean #acrylic #canvas #graffiti #art #abstractexpressionism #rome #abstraction #gesture #artwork #postwarart #americanart

"I sit for two or three hours and then in 15 minutes I can do a painting, but that's part of it. You have to get ready and decide to jump up and do it; you build yourself up psychologically, and so painting has no time for brush. The brush is boring, you give it and all of a sudden, it's dry, you have to go. Before you cut the thought, you know?" —Cy Twombly
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Image:
Cy Twombly
Untitled (Bacchus), 2008
Acrylic on canvas
125 x 184 in (317.5 x 468.3 cm)
Tate, London
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#cytwombly #twombly #largecanvas #painting #bacchus #classics #mediterranean #acrylic #canvas #graffiti #art #abstractexpressionism #rome #abstraction #gesture #artwork #postwarart #americanart

“Graffiti is usually a protest -ink on walls- or has a reason for being naughty or aggressive.” —Cy Twombly
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Image:
Cy Twombly
Bacchus, 2006–08
Acrylic on canvas, 128 3/4 × 162 3/8 in (327 × 412.5 cm). Cy Twombly Foundation Collection
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#cytwombly #twombly #largecanvas #painting #oilpainting #acrylic #canvas #pencil #graffiti #art #red #color #abstractexpressionism #rome #abstraction #gesture #artwork #postwarart #americanart

“I think there’s a lot of people that are neglected in art… Black people are never really portrayed realistically. They’re not even portrayed in modern art.” — Jean-Michel Basquiat
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Images:
Jean-Michel Basquiat
Untitled, From Leonardo, 1983
Series of five screenprints
34 3/4 x 30" (88.2 x 76.2 cm)
Published by New City Editions, Venice, CA
Private Collection
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#jeanmichelbasquiat #basquiat #painting #art #figurativeart #artist #screenprint #leonardo #portfolio #1980s #americanart #blackandwhite #graffiti

“The more I paint the more like everything.” — Jean-Michel Basquiat
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Image:
Jean-Michel Basquiat
Untitled, 1983
Screenprint on canvas
Dimensions 57 5/8 x 75 9/16" (146.4 x 192 cm)
MoMA, New York. Gift of Max and Dorothy Fenmore
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#jeanmichelbasquiat #basquiat #painting #art #figurativeart #artist #screenprint #MoMA #collection #1980s #americanart #blackandwhite #graffiti

“My art springs from my desire to have things in the world which would otherwise never be there.” —Carl Andre
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Image:
Carl Andre
Equivalent VIII, 1966
Firebricks, 127 x 686 x 2292 mm
Tate Modern, London
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#carlandre #andre #sculpture #minimalism #primarystructures #abstraction #abstractart #art #artist #object #objectual #perception #floorpiece #radicalart #environment #americanart #1960s #Tate

"One of the characteristics of photographs that I am drawn to and remain excited about is their ability to present something familiar/recognizable and transform it into something that feels like it is being seen for the first time." —Bryson Rand
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Zeit Contemporary Art is pleased to present “The Floating Bridge,” the first online show by Bryson Rand on @artsy. This selection photographs from 2014 to 2016 attempts to access a world that is out of reach –to give it visual form. The images reflect on the history of gay people and its weight in constructing a queer identity.
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Image:
Bryson Rand, Joe (New Haven), 2014. Archival Pigment Print on Harman by Hahnemuhle Gloss Baryta paper. 28 × 40 in / 71.1 × 101.6 cm.
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#brysonrand #rand #photography #blackandwhite #queer #queerart #lgtbq #gay #gayhistory #newyork #brooklyn #yale #yaleschoolofart #art #contemporaryart #contemporaryphotography #portrait #nature #bodies #malebody

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