thethirdlinedxb thethirdlinedxb

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The Third Line  Gallery 1: Ala Ebtekar | Safina Nov 12 - Dec 27, 2018 . Gallery 2: Huda Lutfi | Still Nov 12 - Dec 27, 2018

Lamya Gargash debuts her latest series 'The Zoo' in 'Architecture of Loneliness', a photography group exhibition that explores the UAE’s shifting urban landscapes, opening December 15 at Warehouse 421. Lamya presents 20 works documenting the Dubai Zoo after its shutdown in November 2017. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
'Architecture of Loneliness' is organized by Warehouse 421 in collaboration with Gulf Photo Plus.
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Image: Lamya Gargash, Untitled 1, 2018, C-type print, 60 x 60 cm
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#LamyaGargash #DubaiZoo #ArchitectureOfLoneliness #Warehouse421 #TheThirdLine #TheThirdLineDXB

Slavs and Tatars' 'Mother Tongues and Father Throats' features in a group show drawn from the Depart Foundation collection.
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On view at @departfoundation until December 27.
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Image: Slavs and Tatars, Nose to Nose, Pejman Foundation, Installation view.
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#SlavsandTatars #DepartFoundation #TheThirdLine #thethirdlinedxb
@slavsandtatars
@pejman_foundation

Rana Begum's works produced during her @bellesartesprojects residency are now on view in XT><LX, a group exhibition at Bellas Artes Projects Outpost. During her residency in the Philippines, Rana collaborated with the artisans at Las Casas Filipinas de Acuzar to create abstract expressions of their emotional engagement with the physical landscape of the Philippines. These works mark the first time that Rana has explored the use of cement in her work. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
On view until 5 January 2019
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Image: Rana Begum, No. 816, 2018, Terracotta, acrylic paint, Dimensions variable, Installation view at at BAP Outpost.
Courtesy of the artist and Bellas Artes Projects
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#RanaBegum #XT>;<LX #BAPResidencies #BellesArtesProjects #BAPOutpost

Abbas Akhavan’s work now permanently installed at the rooftop of VIE D’ANGE, Montréal
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Image: Abbas Akhavan, sept cent soixante quatre pieds, 2018, Paint on VIE D’ANGE rooftop, 975 x 1158 cm
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#AbbasAkhavan #VieDAnge #Montreal #TheThirdLine #TheThirdLineDXB

Huda Lutfi's sculptures on display in 'Still' present a tantalizing intersection between resilience and fragility. In 'Fan', Huda conceals the paper fan's original physical associations by coating it with metallic silver, manipulating the recycled materials to render the work as a renewed sense of play and strength.
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Image: Huda Lutfi, Fan, 2018, Recycled industrial paper and thick slab of wood painted in metallic silver, 39 x 32 x 5 cm
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#HudaLutfi #Still #TheThirdLine #TheThirdLineDXB

The centerpiece of Ala Ebtekar's solo exhibition is an asymmetrical heptagonal platform that serves as topography for a suite of safinas—newly produced artist books, and never before seen reclaimed materials. Arranged in a manner to form new taxonomies and constellations of meaning, this Safina revisits the existing model, now displaying a new terrain.
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Safina is on view until December 27
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Image: Ala Ebtekar, Safina, 2018, Installation view at The Third Line
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#AlaEbtekar #Safina #TheThirdLine #TheThirdLineDXB

Thank you to everyone who joined us for the launch of @shopttl at @soledxb 💕 The Library is now officially open at the gallery.
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#ShopTTL #soledxb #TheThirdLine #TheThirdLineDXB

Thank you @beckycnn for dropping by to see @alaebtekar's 'Safina' 🙏🏼✨
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On view until December 27
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#AlaEbtekar #Safina #TheThirdLine #TheThirdLineDXB

Whether microbes or mitochondria dwelling furtively on the skin or non-native agents living within us: bacteria comprise one kilogram of the average human body. Slavs and Tatars' 'Open Mic, currently on view at Kunstverein Hannover in the collective's solo exhibition Sauer Power, belongs to the series Pickle Politics, which looks to the practices and symbolism of fermentation, constructing a political argument using notions of the rotten, the spoiled, and the soured.
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On view until January 27, 2019.
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Image: Slavs and Tatars, Open Mic, 2018, Plexiglas, digital print, LED lights, stainless steel, aluminium, 95 × 29 × 20 cm. Installation view at Kunstverein Hannover. Photo Raimund Zakowski
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#SlavsandTatars #SauerPower #KunstvereinHannover #TheThirdLine #TheThirdLineDXB

Find the pink carpet @soledxb tomorrow and join us for the launch of @shopttl 🙌🏼
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Discover our exclusive selection of limited edition prints by Amir H. Fallah, Farah Al Qasimi, Hassan Hajjaj, Lamya Gargash, Nima Nabavi and Sara Naim, as well as our collaborations with @localindustries @hkd_line and @hollowformsbydimasrouji
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#ShopTTL #soledxb #TheThirdLine #TheThirdLineDXB

In his latest series 'Odysseus', Tarek Al-Ghoussein takes on a documentation of all 215 of Abu Dhabi’s outlying islands. Head to @thenationaluae to learn more about the project and his latest exhibition @warehouse421 -
Image: Tarek Al-Ghoussein, Abu Dhabi Archipelago (Hami Roha Gassar), 2018
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#TarekAlGhoussein #Odysseus #TheThirdLine #TheThirdLineDXB #Warehouse421 #TheNationalUAE

Slavs & Tatars’ ‘Kitab Kebab’ skewered texts in 'Punk Orientalism' at @mackenzieartgallery.ca. Curated by by Sara Raza, the exhibition focuses on the theme of non-conformity as a tool for investigating contemporary art and critical enquiry on the spaces and places that identify with Central Asia and the Caucasus from a post-Soviet perspective. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
'Punk Orientalism' is on view until February 17, 2019.
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Repost @punkorientalism
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#SlavsandTatars #PunkOrientalism #LanguageArts #MacKenzieArtGallery #SaraRaza #TheThirdLine #TheThirdLineDXB

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