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The MiniHawks are the result of years of technical experience along with newly developed, patent-pending technology. Due to their unique construction, the MiniHawks solve problems associated with #anamorphicLenses while preserving classic anamorphic characteristics; therefore, they will have a special place in the HAWK lens portfolio.
These #hybridLenses have certain advantages over current technologies. They are compact, lightweight, and fast, perfect for hand held filming and systems with reduced weight capacities, such as drones or stabilizing systems. They have super-close focus, almost like macro lenses, no breathing while focusing, and are geometrically well-corrected, yet still preserve classic anamorphic characteristics, such as elliptical #bokeh and shallow depth of field that create an organic cinematic feel.

#MiniHawks come in 35, 40, 50, 65, 80, 100, 135 and 180mm

The MiniHawks are the result of years of technical experience along with newly developed, patent-pending technology. Due to their unique construction, the MiniHawks solve problems associated with #anamorphicLenses while preserving classic anamorphic characteristics; therefore, they will have a special place in the HAWK lens portfolio.
These #hybridLenses have certain advantages over current technologies. They are compact, lightweight, and fast, perfect for hand held filming and systems with reduced weight capacities, such as drones or stabilizing systems. They have super-close focus, almost like macro lenses, no breathing while focusing, and are geometrically well-corrected, yet still preserve classic anamorphic characteristics, such as elliptical #bokeh and shallow depth of field that create an organic cinematic feel.

#MiniHawks come in 35, 40, 50, 65, 80, 100, 135 and 180mm

The MiniHawks are the result of years of technical experience along with newly developed, patent-pending technology. Due to their unique construction, the MiniHawks solve problems associated with #anamorphicLenses while preserving classic anamorphic characteristics; therefore, they will have a special place in the HAWK lens portfolio.
These #hybridLenses have certain advantages over current technologies. They are compact, lightweight, and fast, perfect for hand held filming and systems with reduced weight capacities, such as drones or stabilizing systems. They have super-close focus, almost like macro lenses, no breathing while focusing, and are geometrically well-corrected, yet still preserve classic anamorphic characteristics, such as elliptical #bokeh and shallow depth of field that create an organic cinematic feel.

#MiniHawks come in 35, 40, 50, 65, 80, 100, 135 and 180mm

Checking out something new. Class-X. @hawkanamorphic #vantagefilm #hawkanamorphic #weiden

AURORA frame grab. Shooting in the Alps. The Renault R4 was a joy to work with. Thanks to Wolfram Dierig for the sponsoring and the Renault Zero Oldie Club in Bavaria for the support. .#renault#renaultr4#vintagecar#car#films#aurorashortfilm#auroraderfilm#aurora#arrialexa#alexa#arri#hawkanamorphic#hawkvlite #vantagefilm#70sfashion#alps

"AURORA" frame grab. Classic 70s. Production Designer Clemens Lehmann and directors assistant-production design assistant Vera Casaca rocked this set with quickness. We had a really really small crew for this shoot. Props to Esther van Rooijen on the costumes. She had to get Alpine 70s clothes which was not easy for a low budget student film. DoP Bernd Effenberger #arrialexa#productiondesign#costume#70sfashion#hawkvlite#hawkanamorphic#vantagefilm#aurora#aurorashortfilm#auroraderfilm#cinemascope #anamorphic

AURORA frame grab. Somehow this frame reminds me of the "Seventh Seal" by Bergman. We all rushed to get the shots done as the sun was setting down. Maybe a natural light bounce, but actually all natural light of the Alps. Those sunsets were intense. Actress Julia Schacht. DoP Bernd Effenberger, color correction Claudia Fuchs at HFF Munich. #arrialexa#alexa#hawkvlite#hawkanamorphic #vantagefilm#juliaschacht#aurora#aurorashortfilm#auroraderfilm#cinemascope#70sfashion#alps#naturallight

SHOT ON HAWKS ANA ZOOMS AND PANASONIC VARICAM | BEHIND THE SCENES #CrazyRichAsians, a Warner Bros. feature based on a best-selling novel by Kevin Kwan, with an all-Asian cast, directed by Jon M. Chu @jonmchu
The production was mounted in Kuala Lumpur and Singapore. With 38 different locations spread across 43 shooting days, every edge was important. Lending these locations a consistency was one of his major concerns, and a key rationale for his decision to shoot with a combination of the Panasonic #Varicam and #HawkVLite 1.3x anamorphic lenses from #VantageFilm.
The Panasonic Varicam Pure utilizes a 4K Super 35 sensor. Černjul generally kept the ISO set at 2000 or below, with one or two exceptions. “I wanted to preserve as much information as possible to work with in color grading,” says Černjul. “I thought 4K uncompressed RAW was the right choice.”
“I’ve used the 1.3x Hawks a lot, in many different applications,” says Černjul. “… with 16 mm to create a widescreen image, with Super 35 for a 1.85:1 image with some anamorphic traits. And what’s beautiful is that Vantage has added some amazing 1.3x #FrontAnamorphicZoom s that now come as part of the system. I ended up using them a lot, on cranes especially.”
Hawk 1.3x Front Anamorphic zooms combine the flexibility of variable focal length, anamorphic flavor and extremely close focus capability. They come in 30-60mm, 45-90mm and 80-180mm. “With the Hawk 1.3s, you get the #AnamorphicLook, but with small, wide lenses that open up fast and a system that is very easy to work with,” says Černjul. “The result was a very cinematic-looking image with a 2.40:1 aspect ratio … it was the ideal choice for this job … we were very happy with the results.” #VanjaČernjul @vanjacernjul
image: Sanja Bucko @iamsanjabucko
Read the complete testimonial - link in bio

Frame grab AURORA. Actress Aurelia Schikarski. At dusk in low light conditions. There is light, there is darkness. DoP Bernd Effenberger. Color correction Claudia Fuchs at HFF Munich. #alps#auroraderfilm#aurorashortfilm#aurora#arrialexa#hawkanamorphics#hawkvlite#vantagefilm#cinemascope#cinemascope #anamorphic #anamorphiclens

Valentin. Frame grab AURORA. Actor Patrick Kalupa in his element. DoP Bernd Effenberger. #aurora#aurorashortfilm#auroraderfilm#hawkvlite#arrialexa#alps#hawkanamorphic #vantagefilm #kalupapatrick.

Frame grab AURORA. Actresses Julia Schacht and Aurelia Schikarski. Shot on Arri Alexa and Hawk V Lite Anamorphics. Color correction by Claudia Fuchs at HFF Munich. 70s look. DoP Bernd Effenberger. Like the light and colors of the clothes. We stayed on some magenta tonalities.#arrialexa #hawkanamorphics#vantagefilm#auroraderfilm#aurorashortfilm#aurora#70sfashion#70s #productiondesign#costume#cinema tography

Most recently, Vanja Černjul shot #CrazyRichAsians, a Warner Bros. feature based on a best-selling novel by Kevin Kwan, with an all-Asian cast, directed by Jon M. Chu @jonmchu
The production was mounted in Kuala Lumpur and Singapore. With 38 different locations spread across 43 shooting days, every edge was important. Lending these locations a consistency was one of his major concerns, and a key rationale for his decision to shoot with a combination of the Panasonic #Varicam and #HawkVLite 1.3x anamorphic lenses from #VantageFilm.
The Panasonic Varicam Pure utilizes a 4K Super 35 sensor. Černjul generally kept the ISO set at 2000 or below, with one or two exceptions. “I wanted to preserve as much information as possible to work with in color grading,” says Černjul. “I thought 4K uncompressed RAW was the right choice.”
“I’ve used the 1.3x Hawks a lot, in many different applications,” says Černjul. “… with 16 mm to create a widescreen image, with Super 35 for a 1.85:1 image with some anamorphic traits. And what’s beautiful is that Vantage has added some amazing 1.3x #FrontAnamorphicZoom s that now come as part of the system. I ended up using them a lot, on cranes especially.”
Hawk 1.3x Front Anamorphic zooms combine the flexibility of variable focal length, anamorphic flavor and extremely close focus capability. They come in 30-60mm, 45-90mm and 80-180mm. “With the Hawk 1.3s, you get the #AnamorphicLook, but with small, wide lenses that open up fast and a system that is very easy to work with,” says Černjul. “The result was a very cinematic-looking image with a 2.40:1 aspect ratio … it was the ideal choice for this job … we were very happy with the results.” #VanjaČernjul @vanjacernjul
image: Sanja Bucko @iamsanjabucko
Read the complete testimonial - link in bio

Most recently, Vanja Černjul shot #CrazyRichAsians, a Warner Bros. feature based on a best-selling novel by Kevin Kwan, with an all-Asian cast, directed by Jon M. Chu @jonmchu
The production was mounted in Kuala Lumpur and Singapore. With 38 different locations spread across 43 shooting days, every edge was important. Lending these locations a consistency was one of his major concerns, and a key rationale for his decision to shoot with a combination of the Panasonic #Varicam and #HawkVLite 1.3x anamorphic lenses from #VantageFilm.
The Panasonic Varicam Pure utilizes a 4K Super 35 sensor. Černjul generally kept the ISO set at 2000 or below, with one or two exceptions. “I wanted to preserve as much information as possible to work with in color grading,” says Černjul. “I thought 4K uncompressed RAW was the right choice.”
“I’ve used the 1.3x Hawks a lot, in many different applications,” says Černjul. “… with 16 mm to create a widescreen image, with Super 35 for a 1.85:1 image with some anamorphic traits. And what’s beautiful is that Vantage has added some amazing 1.3x #FrontAnamorphicZoom s that now come as part of the system. I ended up using them a lot, on cranes especially.”
Hawk 1.3x Front Anamorphic zooms combine the flexibility of variable focal length, anamorphic flavor and extremely close focus capability. They come in 30-60mm, 45-90mm and 80-180mm. “With the Hawk 1.3s, you get the #AnamorphicLook, but with small, wide lenses that open up fast and a system that is very easy to work with,” says Černjul. “The result was a very cinematic-looking image with a 2.40:1 aspect ratio … it was the ideal choice for this job … we were very happy with the results.” #VanjaČernjul @vanjacernjul
image: Sanja Bucko @iamsanjabucko
Read the complete testimonial - link in bio

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