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#thetortoisetrainer

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"Şifa'al-kulup lika'al Mahbub"
"Kalplerin şifası Sevgiliyle buluşmaktır"
#thetortoisetrainer #happyartlover #osmanhamdibey #art #kaplumbağaterbiyecisi @peramuzesi @peramuseum

'Kaplumbağa Terbiyecisi' #thetortoisetrainer #vscocam #vsco

Bu kaplumbağaları terbiyelesek de mi saklasak? #kaplumbağaterbiyecisi #thetortoisetrainer #osmanhamdibey #peramüzesi #nofilter

The Tortoise Trainer 🐢 Kaplumbağa Terbiyecisi 🐢

Behind the walls,
history #thetortoisetrainer 🐢

MOST RECENT

"Şifa'al-kulup lika'al Mahbub"
"Kalplerin şifası Sevgiliyle buluşmaktır"
#thetortoisetrainer #happyartlover #osmanhamdibey #art #kaplumbağaterbiyecisi @peramuzesi @peramuseum

Kaplumbağa Terbiyecisi/The Tortoise Trainer
Boşluk Korkusu/Horror Vacui, bütün güzellikleri parçalayan bir beton. Betonlaşmanın yarattığı estetik kirlilik ne kadar da İstanbul'u yansıtıyor.
#IstanbulBienali #IstanbulBiennale2017
#agoodneighbour #iyibirkomşu #istanbul #beyoğlu #art #photography #OsmanHamdiBey #museum #pera #thetortoisetrainer #bienalşehirde

Bu kaplumbağaları terbiyelesek de mi saklasak? #kaplumbağaterbiyecisi #thetortoisetrainer #osmanhamdibey #peramüzesi #nofilter

Just a framed completed #puzzle.

The original work is at #Pera Museum in Istanbul, Turkey and here is exact copy-paste introduction on #PeraMuseum website. "The Tortoise Trainer" #thetortoisetrainer #tortoise #trainer #tortoisetrainer

Osman Hamdi Bey

Oil on canvas 221.5 x 120 cm
Early 20th Century

As the first and last #Orientalist painter of the Ottoman Empire, #OsmanHamdiBey (...) His works, which often reflect the #Ottoman #tradition and #culture, manifest a meticulous and #realistic approach to all the elements featured in a #scene, ranging from daily life to #architecture and from objects to ornamentation. Osman Hamdi is an artist who not only incorporates the use of figures, but also introduces an #intellectual dimension to #Turkish #painting.  The Tortoise Trainer should thus be evaluated in light of this dual aspect. #OsmanHamdi, who often used his own #photographs as models in his figurative compositions, once again repeats the same #technique in this painting and depicts himself in the appearance of a #dervish. The architectural #décor suggests that the scene takes place in one of the upper-story chambers of Bursa’s Yeşil Camii (#GreenMosque). Dressed as a dervish and slightly bent over, a man is examining in a contemplative #fashion, the tortoises roaming on the floor. He sports an araqiyya, a flattish skull cap commonly worn by dervishes, with a destar, or sash wrapped around it. He wears a belted, long red robe the borders of which are embroidered; his feet are clad in çedik, or slippers for indoor wear, made of yellow sahtiyan, #Moroccan (goatskin) leather. He holds a ney in one of the hands he has clasped behind; a nakkare, or a small kettledrum hangs down from his back. While all these details do not necessarily signify allegiance to a particular sect, they are nonetheless elements derived from the attire of a dervish. The dervish is to train these thick-shelled, laggardly tortoises not by using force, but rather by playing the ney and nakkare, namely through art.
#dubai #istanbul #oilpainting #art

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