#suyeonkim

MAIS RECENTES

#Repost @gallery2 ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
키아프 행사 동안 갤러리2 부스를 찾아주신 많은 분들께 감사드립니다.
Thank you for visiting our booth at KIAF.
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KIAF
HIGHLIGHT Section Booth HTL06
✔2018. 10. 4 - 10. 7
Coex A & B Hall
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이동기 Dongi Lee, Crash, acrylic on canvas, 192x390cm, 1995
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이동기의 <Crash>는 허영만 만화의 한 장면을 묘사했다. 그의 작품은 자신만의 양식을 만들어내지 않겠다는 중립적이고 익명적인 태도를 전면에 내세운다. 흥미로운 점은 이 작품이 1995년에 제작되었다는 것이다. 지금의 현대미술씬에서 만화의 이미지를 차용한 작품을 신선하다고 할 수는 없다. 하지만 이 그림은 23년 전인 1990년대 중반에, 1980년대의 민중미술과 추상미술이 주를 이루던 미술대학의 상황 속에서 제작되었다. 현대미술과 만화가 다른 영역으로 인식되던 1990년대를 상기해볼 때, <Crash>는 작품의 제목처럼 고급문화와 하위문화의 충돌(crash)을 보여준다. 또한 2003년 일민미술관에서 개최된 그의 개인전 타이틀이 ‘Crash’였다는 것 역시 이 작품을 주목해야 하는 이유이다.
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<Crash> is Dongi Lee's portrayal of a comic-book panel by well-known Korean cartoonist Young-man Huh. His works advocate his position of neutrality and anonymity, stemming from his unwillingness to create some idiosyncratic form. <Crash> was made in 1995. Borrowing images from comic books is no longer a novel attempt in the art scene today. However, in this case, consider that it was 23 years ago in the middle of the 90s, when Minjung Art and Abstract Art was mainstream in Korean art institutions. Thinking back to the 90s when contemporary art and comic books were considered mutually exclusive domains, <Crash> was a display of massive collision between high culture and subculture. Crash was also the title of his solo exhibition in at the Ilmin Museum of Art in 2003, and it is yet another reason why his 1995 acrylic work on canvas merits attention.
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#이동기#dongilee#손동현#donghyunson#김수연#suyeonkim#갤러리2#gallery2#ギャラリーツー#키아프#kiaf#코엑스#coex#highlight#하이라이트#exhibition#artfair#koreancontemporaryart

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키아프 행사 동안 갤러리2 부스를 찾아주신 많은 분들께 감사드립니다.
Thank you for visiting our booth at KIAF.
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
KIAF
HIGHLIGHT Section Booth HTL06
✔2018. 10. 4 - 10. 7
Coex A & B Hall
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이동기 Dongi Lee, Crash, acrylic on canvas, 192x390cm, 1995
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이동기의 <Crash>는 허영만 만화의 한 장면을 묘사했다. 그의 작품은 자신만의 양식을 만들어내지 않겠다는 중립적이고 익명적인 태도를 전면에 내세운다. 흥미로운 점은 이 작품이 1995년에 제작되었다는 것이다. 지금의 현대미술씬에서 만화의 이미지를 차용한 작품을 신선하다고 할 수는 없다. 하지만 이 그림은 23년 전인 1990년대 중반에, 1980년대의 민중미술과 추상미술이 주를 이루던 미술대학의 상황 속에서 제작되었다. 현대미술과 만화가 다른 영역으로 인식되던 1990년대를 상기해볼 때, <Crash>는 작품의 제목처럼 고급문화와 하위문화의 충돌(crash)을 보여준다. 또한 2003년 일민미술관에서 개최된 그의 개인전 타이틀이 ‘Crash’였다는 것 역시 이 작품을 주목해야 하는 이유이다.
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<Crash> is Dongi Lee's portrayal of a comic-book panel by well-known Korean cartoonist Young-man Huh. His works advocate his position of neutrality and anonymity, stemming from his unwillingness to create some idiosyncratic form. <Crash> was made in 1995. Borrowing images from comic books is no longer a novel attempt in the art scene today. However, in this case, consider that it was 23 years ago in the middle of the 90s, when Minjung Art and Abstract Art was mainstream in Korean art institutions. Thinking back to the 90s when contemporary art and comic books were considered mutually exclusive domains, <Crash> was a display of massive collision between high culture and subculture. Crash was also the title of his solo exhibition in at the Ilmin Museum of Art in 2003, and it is yet another reason why his 1995 acrylic work on canvas merits attention.
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#이동기#dongilee#손동현#donghyunson#김수연#suyeonkim#갤러리2#gallery2#ギャラリーツー#키아프#kiaf#코엑스#coex#highlight#하이라이트#exhibition#artfair#koreancontemporaryart

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김수연은 2017년 처음 춘화를 소재로 작업했을 때 순간의 쾌락 안에서도 존재하는 사랑의 감정을, 그 애틋한 마음을 표현하려고 했다. 그림 안에 고전 조각의 이미지를 넣은 것은 신의 이름을 빌려 만들어진 조각을 통해 유한하고 속된 인간의 사랑을 무한하고 성스러운 것으로 표현하고 싶었기 때문이다. <SP13>의 작품에서 2면의 캔버스는 꽃으로 장식되어 있다. 화려한 색감과 아름다운 형태가 부각된 꽃들은 마치 거대한 덩굴처럼 보인다. 그러나 그림에 묘사된 꽃들은 개화 시기나 서식지가 모두 다르다. 하나의 생명 같은 꽃들은 사실 뿌리가 없는 꽃꽂이 장식용 꽃이다. 아름답지만 결국 시들어서 죽어버리는 다음 생을 기약할 수 없는 이 꽃들은 사랑의 유한함과 무상함을 상징한다.
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When Suyeon Kim began experimenting with chunhwa in 2017, she sought means to capture the ephemeral moment with its sentiments of affection and transience. The classical sculptures of the West are added as images in the painting as a means to loan from the deities that inspired their creation, in hopes of sublimating the finite and decadent love of human beings. Of the three canvas panels that compose <SP13>, two are adorned with flowers. Vibrant colors and pleasing forms stand out, like overgrown vines. In reality, none of the flowers painted on the panels grow in the same environment, nor do they bloom around the same time of the year. The blossoms which would otherwise be a symbol of vivacity are in fact rootless, as they are for decorative arrangement. As live flowers, they are ephemerally beautiful. With nothing to pledge for the next life, they symbolize the vanity and finitude of love in this life.
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KIAF
HIGHLIGHT Section Booth HTL.06
✔2018. 10. 4 - 10. 7
Coex A & B Hall
513, Yeongdong-daero, Gangnam-gu, Seoul, Korea
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김수연 Suyeon Kim, SP13, oil on canvas, 290.9x591cm, 2018
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#이동기#dongilee#손동현#donghyunson#김수연#suyeonkim#갤러리2#gallery2#ギャラリーツー#키아프#kiaf#코엑스#coex#highlight#하이라이트#exhibition#artfair#koreancontemporaryart

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<DragonScape>에서 산수(山水)는 반인반용(半人半龍)의 모습으로 등장한다. 이 그림은 한 폭의 초상화이면서 산수화이다. 손동현은 전통적인 표현 기법과 조형 요소를 한 인물의 외형이나 특별한 능력으로 치환하여 가상의 인물을 탄생시킨다. <DragonScape> 안에서도 여러 용묵법(用墨法)과 준법(皴法) 등 다양한 작화법을 통해 기운생동(氣韻生動: 대상이 가진 생명을 생생하게 그리는 것), 골법용필(骨法用筆: 대상을 묘사하는 데 있어 필치와 선조를 적절하게 사용하는 것) 등 그림을 제작하는 데 있어 필수적인 요체 혹은 정신성을 추구한다. 초상화를 작업의 근간에 두고 있지만, 인물의 재현에 그치지 않고 초상화의 형식을 통해 동아시아 회화의 전통적인 기법과 매체의 특성을 담아낸다는 점이 그의 그림을 이해하는 중요한 열쇠이다.
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<DragonScape> shows the sansu (山水 - mountain and waters) in the form of a Banin Banyong (半人半龍 - half man, half dragon). This painting is part portrait, part sansuhwa (trad. landscape painting of mountains and waters). Donghyun Son paints creatively imagined characters by replacing a particular subject's appearance or quintessential aspect with traditional Korean painting techniques and formative elements. <DragonScape> was created using a variety of such traditional techniques, combining multiple yongmukbeop (用墨法 - ink brush techniques) and junbeop (皴法 - ink shading/cracking)to achieve kiwoonsaengdong (氣韻生動 - capturing the vivid essence of the subject), golbeopyongpil (骨法用筆 - projection of the brush-holder's character unto the structure of the image), seeking the essence and spirituality of painting. The bulk of his works are character portraits, but closer inspection show it was a conscious choice of format best suited to present traditional Far-East Asian painting techniques and characteristics.
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KIAF
HIGHLIGHT Section Booth HTL.06
✔2018. 10. 4 - 10. 7
Coex A & B Hall
513, Yeongdong-daero, Gangnam-gu, Seoul, Korea
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손동현 Donghyun Son, DragonScape, 지본수묵 紙本水墨 ink on paper, variable size(194x130cm, 90.5x48cm, 90x31.5cm, 88x16cm), 2018
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#이동기#dongilee#손동현#donghyunson#김수연#suyeonkim#갤러리2#gallery2#ギャラリーツー#키아프#kiaf#코엑스#coex#highlight#하이라이트#exhibition#artfair#koreancontemporaryart

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KIAF 2018
2018. 10. 4-10. 7
Coex A & B Hall
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GALLERY2
HIGHLIGHT Section Booth HLT.06
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Opening Hours:
Thursday-Saturday, Oct. 4-6 l 11am-7:30pm
Sunday, Oct. 7 l 11am-5pm
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Presenting Artist:
이동기 Dongi Lee
손동현 Donghyun Son
김수연 Suyeon Kim
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#이동기#dongilee#손동현#donghyunson#김수연#suyeonkim#갤러리2#gallery2#ギャラリーツー#키아프#kiaf#코엑스#coex#highlight#하이라이트#exhibition#artfair#koreancontemporaryart

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KIAF 2018
2018. 10. 4-10. 7
Coex A & B Hall
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GALLERY2
HIGHLIGHT Section Booth HLT.06
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Opening Hours:
Thursday-Saturday, Oct. 4-6 l 11am-7:30pm
Sunday, Oct. 7 l 11am-5pm
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Presenting Artist:
이동기 Dongi Lee
손동현 Donghyun Son
김수연 Suyeon Kim
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#이동기#dongilee#손동현#donghyunson#김수연#suyeonkim#갤러리2#gallery2#ギャラリーツー#키아프#kiaf#코엑스#coex#highlight#하이라이트#exhibition#artfair#koreancontemporaryart

Not long now until our Autumn Prizewinner's Recital at @fairlighthallgardens with HIPCC 2018 Prizewinner Su Yeon Kim.

Sunday 14 October
3-5pm

Tickets bit.ly/2M5Gv5X or via link in bio ⬆️
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Korean pianist Su Yeon Kim, described as “one of the most sensitive and sincere musician among the young generation”, earned the first big attention when she was a semifinalist at the 17th Chopin International Piano Competition in Warsaw (2015) and at the Queen Elisabeth Competition in Brussels (2016). She had her first debut in UK when she won the 2nd prize at the Hastings International Piano Concerto Competition in 2018, for its final round she performed with Royal Philharmonic Orchestra. And she has also won many prizes in numerous competitions, such like the 1st prize and the special prize ‘Fundacion Internacional Gomez-Martinez’ at the Compositores de Espana Piano Competition in Madrid (2014), 1st prize at the J. N. Hummel International Piano Competition in Bratislava (2014), and 3rd prize at the Alaska International e-Piano Competition (2018). For more information about Su Yeon Kim please visit event page here bit.ly/2P9RVas
or follow link in bio ⬆️
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#hastingspiano #1066classical #SuYeonKim #AutumnRecital #HIPCC #classicalmusic #FairlightHall #Hastings

#Repost @gallery2
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갤러리2(Booth HLT. 06)는 이동기, 손동현, 김수연 작가와 함께 키아프의 하이라이트 섹션에 참여합니다.
일반관람은 10월 4일부터 7일까지 이어집니다.
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GALLERY2 is pleased to participate in KIAF at Highlight section with works of Dongi Lee, Donghyun Son, Suyeon Kim. KIAF is open October 4 and will run until October 7. Please visit our booth HTL. 06 at KIAF in Seoul, Korea.
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KIAF
✔2018. 10. 4 - 10. 7
✔VIP Preview: 10.3. 5-8pm
Coex A & B Hall
513, Yeongdong-daero, Gangnam-gu, Seoul, Korea
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이동기 Dongi Lee, Crash, acrylic on canvas, 192 × 390 cm, 1995
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#이동기 #dongilee #손동현 #donghyunson #김수연 #suyeonkim #갤러리2 #gallery2 #ギャラリーツー #키아프 #kiaf #코엑스 #coex #highlight #하이라이트 #exhibition #artfair #koreancontemporaryart

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갤러리2(Booth HLT. 06)는 이동기, 손동현, 김수연 작가와 함께 키아프의 하이라이트 섹션에 참여합니다.
일반관람은 10월 4일부터 7일까지 이어집니다.
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GALLERY2 is pleased to participate in KIAF at Highlight section with works of Dongi Lee, Donghyun Son, Suyeon Kim. KIAF is open October 4 and will run until October 7. Please visit our booth HTL. 06 at KIAF in Seoul, Korea.
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KIAF
✔2018. 10. 4 - 10. 7
✔VIP Preview: 10.3. 5-8pm
Coex A & B Hall
513, Yeongdong-daero, Gangnam-gu, Seoul, Korea
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이동기 Dongi Lee, Crash, acrylic on canvas, 192x390cm, 1995
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#이동기#dongilee#손동현#donghyunson#김수연#suyeonkim#갤러리2#gallery2#ギャラリーツー#키아프#kiaf#코엑스#coex#highlight#하이라이트#exhibition#artfair#koreancontemporaryart

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김수연 개인전 <SPRING PAINTING>을 찾아주신 많은 분께 감사드립니다. 여러분의 관심과 도움으로 전시를 무사히 마쳤으며, 현재 새로운 전시를 준비 중입니다. 앞으로도 갤러리2에 많은 관심 부탁드립니다.
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A huge thank you to everyone who came to show us your support and see the exhibition. We have the exhibition ended successfully and preparing for the next one. I look forward to seeing you again at GALLERY2. Thank you once again!
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김수연 SUYEON KIM
SPRING PAINTING
✔2018.08.30 - 09.29
@gallery2
서울시 종로구 평창길 204
204, Pyeongchang-gil, Jongno-gu, Seoul, Korea
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#김수연#김수연작가#suyeonkim#artistkimsuyeon#springpainting#갤러리2#평창동#평창동갤러리#gallery2#Pyeongchangdong#Pyeongchangdonggallery#koreancontemporaryart#koreanartist#韓国#アート#展示#現代美術

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김수연 개인전 <SPRING PAINTING>은 이번주 토요일, 9월 29일에 종료됩니다.
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Only two days left to see Suyeon Kim's solo show, SPRING PAINTING at GALLERY2. Don’t miss out!
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김수연 SUYEON KIM
SPRING PAINTING
✔2018.08.30 - 09.29
@gallery2
서울시 종로구 평창길 204
204, Pyeongchang-gil, Jongno-gu, Seoul, Korea
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SP3 / 4 / 5, oil on canvas, 60x60cm(each), 2017
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#김수연#김수연작가#suyeonkim#artistkimsuyeon#springpainting#갤러리2#평창동#평창동갤러리#gallery2#Pyeongchangdong#Pyeongchangdonggallery#koreancontemporaryart#koreanartist#韓国#アート#展示#現代美術

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갤러리2는 9월 23일(일)부터 26일(수)까지 휴관합니다. 즐거운 추석 연휴를 보내시길 바랍니다.
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GALLERY2(Pyeongchang-dong) is closed from September 23-26 for Chuseok holiday.
We wish everyone to have a great time during Chuseok holiday with friends and family.
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김수연 Suyeon Kim, Full, oil on canvas, 38x38cm, 2015
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#김수연#김수연작가#suyeonkim#artistkimsuyeon#springpainting#갤러리2#평창동#평창동갤러리#gallery2#Pyeongchangdong#Pyeongchangdonggallery#koreancontemporaryart#koreanartist#韓国#アート#展示#現代美術

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김수연은 2017년 처음 춘화를 소재로 작업했을 때 순간의 쾌락 안에서도 존재하는 사랑의 감정을, 그 애틋한 마음을 표현하려고 했다. 그림에는 서양의 고전 조각이 등장한다. 그는 몇 년 전 유럽의 미술관에서 봤던 고전 조각의 아름답고 우아한 몸체와 대리석의 매끄러운 표면에 매료되었다고 한다. 그림 안에 고전 조각의 이미지를 넣은 것은 신의 이름을 빌려 만들어진 조각을 통해 유한하고 속된 인간의 사랑을 무한하고 성스러운 것으로 표현하고 싶었기 때문이다.
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When Suyeon Kim began experimenting with chunhwa in 2017, she sought means to capture the ephemeral moment with its sentiments of affection and transience. Her paintings featured chunhwa images scrapped here and there, alongside classical sculptures of the West. She was captivated by the fine marble of the pale elegant sculptures encountered at an art museum visit, some years ago in Europe. The image of those sculptures were added in her paintings to loan from the deities that inspired their creation; to borrow the sublimation of human love, otherwise the decadent and finite.
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김수연 SUYEON KIM
SPRING PAINTING
✔2018.08.30 - 09.29
@gallery2
서울시 종로구 평창길 204
204, Pyeongchang-gil, Jongno-gu, Seoul, Korea⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
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#김수연#김수연작가#suyeonkim#artistkimsuyeon#springpainting#갤러리2#평창동#평창동갤러리#gallery2#Pyeongchangdong#Pyeongchangdonggallery#koreancontemporaryart#koreanartist#韓国#アート#展示#現代美術

Welcome, until 09.29, the solo show Two Fold can be seen at the Youngeun Museum of Contemporary Art. Also until 09.29 there is a beautiful show from Suyoen Kim @gallery2, Seoul, Korea, and: - 김수연 SUYEON KIM, SPRING PAINTING, 2018.08.30 - 09.29, 서울시 종로구 평창길 204, 204, Pyeongchang-gil, Jongno-gu, Seoul, Korea - 손동현 DONGHYUN SON, FIGURES, 2018.08.16 - 11.17, Joongsun nongwon, 제주도 제주시 아라동 영평길 269, 269, Yeongpyeong-gil, Jeju-si, Jeju-do, Korea - 이해강 HAEKANG LEE, 모호로비치치 MOHOROVIČIĆ, 2018.09.11 - 10.07, uhjjuhdahgallery2, 서울시 마포구 서교동 468-20, 468-20 Seogyo-dong, Mapo-gu, Seoul, Korea #suyeonkim #donghyunson #haekanglee #gallery2 #YoungeunArtistinResidenceProgram #youngeunmuseumofcontemporaryart #mondriaanfonds #cbkrotterdam #plain_dust #uhjjuhdahgallery2 #alexandraroozen #koreancontemporaryart #koreanartist

#김수연 #springpainting #갤러리2
#suyeonkim #gallery2 #평창동
도발적인 춘화의 이미지에서 순간적일지라도 작고 소중한 사랑을 발견하고, 이것을 추루하지 않게 그리고자 노력했다...

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김수연 SUYEON KIM
SPRING PAINTING
✔2018.08.30 - 09.29
@gallery2
서울시 종로구 평창길 204
204, Pyeongchang-gil, Jongno-gu, Seoul, Korea
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SP13, oil on canvas, 290.9x591cm, 2018
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#김수연#김수연작가#suyeonkim#artistkimsuyeon#springpainting#갤러리2#평창동#평창동갤러리#gallery2#Pyeongchangdong#Pyeongchangdonggallery#koreancontemporaryart#koreanartist#韓国#アート#展示#現代美術

すぐそこのホテルに泊まっていたので(前に行けなくて観たかった#釜山市立美術館 )時間があいた午前中に。数日間アウトプットばかりで騒がしかったので、静かに観れて落ち着いて良かった。インプットはインプットのままにしておきたいけれど、少したって備忘録。植物をテーマにした展示、しかも入場無料👏。🌿.
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#부산시립미술관 #釜山 #Busan #botanica
#botanicagardenproject

1枚目2枚目#TadashiKawamata
4枚目#suyeonKim
6枚目#KimJiwon
8枚目#MaiMiyake
#私的美術館記録

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