Let’s talk about the @chaseblissaudio Tonal Recall for a moment. I got into it, like I’m sure many did, because the modulation section is maybe the best of any analog delay I’ve ever heard. But let’s talk instead about those repeats. The darker ones. Let’s talk about the Bass VI feeding single notes into edge-of-oscillation repeats that grow fur and shake the ground underneath it. Let’s talk about the texture the repeats get as they get darker and angrier while holding tonal definition and time. I like those ones. And the other ones, and about everything else the Tonal Recall can accomplish. Ok. No more talking. Just delay now.