[PR] Gain and Get More Likes and Followers on Instagram.

#olgarozanova

191 posts

TOP POSTS

You don't need no Prisma.

Intuition by Estée Lauder 100 ml EDP ft Olga Rozanova "Airplane Flight", 1916 in the upper left corner and Olga Rozanova "Suprematism", 1916 in the bottom right corner. #esteelauderperfume #olgarozanova #ольгарозанова

Olga Rozanova's ups and downs - which way is right? #olgarozanova #abstractartiscomplicated

Russian revolutionaries doing it right with linoleum cut prints. 👌 #olgarozanova #printmaking

Green stripe (color painting) #olgarozanova 1917

MOST RECENT

One of the references to our current exhibition “From Surface to Space” which is on view through January 31, 2018 at both Galerie Gmurzynska Zürich locations, Paradeplatz 2 and Talstrasse 37, is an eponymous historical retrospective that was mounted at Galerie Gmurzynska Cologne in 1974. The 1974 exhibition was one of the earliest art historical surveys in its field that publicized the scarce and hardly known Russian Avant-garde sculptural work for the first time in the West.

Image: Installation view “From Surface to Space. Russia 1916-1924”, Galerie Gmurzynska Cologne, 1974

@gmurzynska
#gmurzynska #art #gallery #modern #contemporary #masters #since #1965 #zurich #stmoritz #zug #newyork #cologne #gmurzynskahistory #gmurzynskathrowback #throwback #RussianAvantgarde #IlyaChashnik #AlexandraExter #IvanKliun #ElLissitzky #KazimirMalevich #PaulMansouroff #MikhailMatyushin #LyubovPopova #IvanPuni #AlexanderRodchenko #OlgaRozanova #StenbergBrothers #VarvaraStepanova

"The untalented artist sits and tries out how to contrive a painting, selecting just the right forms so as not to appear outdated or to irritate the critics with too much novelty. They don't like such things. But the pseudo-creative approach of the ungifted traces a cautious curve... Caution is the most typical sign of lack of talent. Its mark of servility. But the critics look and cannot get enough: "Now here," they say, "is a cultured artist."" -- olga rozanova, suprematism and the critics
-
olga rozanova (1886-1918) & aleksei kruchenykh, universal war, 1916, collage #6: destruction of gardens, paper and fabric collage on paper, in "art without death: russian #cosmism" at #hausderkulturenderwelt 🔹
-
#olgarozanova #alekseikruchenykh #universalwar #20thcenturyart #nonobjectiveart #russianavantgarde #cubofuturism #suprematism #artistsbook #bookillustration #russianfuturism #zaum #greatwomenartists #womeninarthistory #artherstory #5womenartists #womeninthearts

The State Tretyakov Gallery decided to devote the beginning of a new exhibition season to the year of 1917, the time of cardinal changes in the state system and social relations.
Curators of “Someone 1917” selected the most iconic works, created primarily in 1917. Abstract art at the exhibition will be presented by works of Russian avant-garde artists such as Kazimir Malevich, Pavel Filonov, Olga Rozanova, Lyubov Popova, Ivan Klyun, Alexander Rodchenko, Nathan Altman, Vassily Kandinsky.

@tretyakov_gallery @gmurzynska
regram @marianna_9691
#gmurzynska #art #gallery #modern #contemporary #masters #since #1965 #zurich #stmoritz #zug #newyork #некто1917 #someone1917 #painting #drawing #sculpture #abstract #avantgarde #syprematism #kazimirmalevich #pavelfilonov #olgarozanova #lyubovpopova #ivanklyun #alexanderrodchenko #nathanaltman #kandinsky #chagall #tretyakovgallery

Olga Rozanova /
Ольга Владимировна Розанова 🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴
▶Abstract Composition (Colour-Painting) /1917 /Oil on canvas /Photo: March 2013
🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴
▶▶Textile Design /1917 / Black Ink & Gouache (from Nina Gurianova 'Exploring Color' and all quotes) ▶▶
🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴
In March 2017, my Rozanova post reached less than 30❤. My last Rozanova post has reached over 100❤. So pleased to increase the audience for Olga through my humble little Insta page.
🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴
1.OLGA'S ABSTRACTION WAS BASED ON COLOUR - "....Figurative art was born of a love for the object. Non-objective art was born for a love of colour. This is painting above all" wrote Olga in her article 'Cubism, Futurism and Suprematism' in 1916-17. 🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴
2.THE OBJECT RE-APPEARS FOR OLGA & SUPREMATISM - Can't colours by themselves be unconsciously linked to an object of desire? Following her painting, Olga creates a fabric design (an object) with the same pattern based on this painting (Scroll). Perhaps to publicise the new abstract art form to a wider audience. We should remember that Suprematism abstraction was born at the exhibition of craft, for the Verbovka Collective in September 1915. That exhibition was full of applied household objects adorned with Suprematist patterns. 🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴
3.SUPREMATISTS WERE IN A BATTLE WITH TATLIN AND HIS FOLLOWERS - Rozanova moved to Moscow in 1916 and wrote to Kruchhenyk: "I got a letter from Kluinkov (Ivan Kliun, in Malevich's circle). Flattering and alarming. They are afraid of the group with Bruni, Tatlin and the others will be significantly larger and have more success with the public than the suprematists. He's appealing to me. He say's the suprematists should work closely and harmoniously, etc. and calls me a 'rare artist', etc."
Then Olga joined Malevich and the Supremus Society. This non-objective painting was completed around this time
🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴
#olgarozanova #rozanova #stpetersburg #suprematism #russianart #modernart #russia #ольгарозанова #womanartist #russianavantgarde before #rothko

OLGA ROZANOVA /Ольга Владимировна Розанова
♠♠♠♠♠♠♠♠♠♠♠♠♠♠♠♠♠♠
Cards. Four Aces. Simultaneous Representation /1913-14 /Oil on canvas
♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥
Olga was an artist who constructed her way. Her way. Always! But she was certainly integrating a range of influences in her painting here, including: ■Cubism - Strong diagonal divider. The forms and cards are analysed, then reconstructed
■Futurism - Aces in dynamic fluid movement
■Decoration - The blue triangle centrepiece, likely signifying the unturned card
■Subversive - Cards as a street activity and game of chance - the thrill of the reveal, with everything at stake.
■Colour - Using strong primary colours with black & white
■Rozanova was close to being the first abstract painter. Joined the Supremus Society with Malevich and quickly developed her own colourful style of abstraction.
■Olga was a transrational (Zaum) poet
■Key member of the Union of Youth
■Worked in the Fine Arts section of Narkompros after the Revolution.
♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦
Photo taken - March 2013 in the Russian Museum of St Petersburg. It was worth searching my hard drive. I also have a copy of this painting next to my workspace.
♣♣♣♣♣♣♣♣♣♣♣♣♣♣♣♣♣♣
Olga was also a fiery writer in defence of modern art against the politicaly liberal art establishment. In 1913, she wrote:
▶"Everyone who follows the art scene is familiar with A. Benois's articles on cubism: ◽◽◽ 'Cubism or Ridiculism?' is a shameful stain on Russian criticism.
And if such a well-known art critic displays complete ignorance of questions of a specialized nature, then what can we expect from the newspaper judges who earn their bread and butter by looking for truths to please the mob's bigoted opinions!"◽◽◽◽◽◽◽
▶Alexandre Benois served as an art critic for Rech, newspaper of the Cadet Party (the Liberal Bourgeoisie). He was a key tastemaker. Olga here is directly confronting his ignorance! ◽◽◽◽◽
▶From 'The Bases of the New Creation and the Reasons Why It Is Misunderstood' (for Union of Youth /Soyuz Molodezhi)'.
♠♠♠♠♠♠♠♠♠♠♠♠♠♠♠♠♠♠
#olgarozanova #rozanova #unionofyouth #stpetersburg #cubofuturism #russianart #modernart #russia #womanartist #ольгарозанова before #mondrian

This just became a part of my life #fireopal #olgarozanova #gemstone #birthstone 🔥rumour has it that she fades near poison. psychic boost & clairaudience, loyalty, trust, progress, happiness and truth.

METAPHORICAL MATISSE
🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵
Henri Matisse / Jazz Series selection
🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵
1/ The Toboggan / 1943
▶2/ The Wolf / 1946
▶▶3/ Monsieur Loyal / 1946
🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵
My last Matisse post! A personal historic one. Three years ago on this very day, Malevich Squared attended the final night of the Matisse Cut-Outs exhibition. And this is what my younger self wrote:
🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵
The subversive process of the original painted cut-outs still amaze with their vibrant colour, and texture. 'The Toboggan' appears to move with the simple combination of painted paper, scissors and glue initially applied to canvas. ⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪
The general feeling of energy you get, means you can miss the hidden connection with the contemporary society, in which Matisse lived. For example, the Jazz series assembled from 1943-46, includes 'The Wolf', a reference to Adolf Hitler. DeGaulle is represented by Monsieur Loyal. It does look like DeGaulle.
⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪
Matisse signed the originals after the war. 'The Wolf' in 1946 and 'Monsieur Loyal' in June 1946. Matisse you let me down!!! I demand more courage from my artists.
⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪⚪
My personal favourite is: 'The Toboggan' from 1943, painted earlier for the Jazz series. The compostion pinpoints the moments between the tobogganist toppling out of control and a final resting place. Like 1943 itself. The moment that captures anxiety of the uncertain outcome. Anxiety between tragedy or relief. And that involves an element of choice for the Tobogganist in how they internalise this external situation. There is also an incongruence in the snow being purple. Urmmmmmm. The familar made unfamilar. With hindsight, everything familiar must have been unfamiliar in 1943.
🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵
Then to revisit the #malevich exhibition upstairs. One simply must visit family!! Including paste-on innovator #olgarozanova!
🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵🔵
#matisse #jazz #cutouts #modernart #contemporaryart #london #henrimatisse #painting #frenchart #hitler #degaulle #rozanova #metaphor #secondworldwar #france

Olga Rosanova & Alexeij Krutschonych, DER UNIVERSALE KRIEG I-IX, 1916, Papier und Textilcollage auf Papier.
"Art Without Death: Russischer Kosmismus", HKW, bis 3.10. 2017
#OlgaRosanova#OlgaRozanova#AlexeijKrutschonych#HKW#HausDerKulturenDerWelt#BorisGroys#Costakis#Kosmismus#Suprematismus @hkw_berlin #ArtwithoutDeath

Henri Matisse / 'Forms' from Jazz Series of 1947 juxtaposed with the Female Torso /
@ Matisse and His Studio
⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕
Matisse's 'Cut-Outs' were foreshadowed by Olga Rozanova's collage 'Paste-Ons' of 1915. But also we should remember the influence on the art of Matisse in Moscow on the Russian Avant-Garde. His paintings were available for public viewings every Sunday at Shchukin's Palace in the 1910s.
⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕
Do you agree Matisse used this object from his studio collection for this cut-out? The curator certainly connects them. ⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕
Overall, I 💙 Matisse. His vibrant colour palette. His abstraction. His use of line. And in the Jazz series its simplicity of the wheel chair bound artist continued, through his assistants, he could create. ⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕
The room of Nudes and Objects at the exhibition certainly points uncomfortably to Henri's obsession with the FEMALE nude, rather than the still life object. Let us not forget Matisse was a man of his time. And not forget the female form in the 1940s car, the Coca-Cola bottle and advertising that surrounded him. He got off lighty. He never had Google, Facebook and the online world.
⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕
Matisse was a man of time and his environment. His art could partially transcend that. If there was no sex (on television) in the USSR in the 1960s, there certainly was in West in the studio and in the gallery. Before and after. From the male gaze. His point of view. The late John Berger pinpointed this in Ways of Seeing. And the many women that stood up to be heard, be seen and be an artist. ⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕
We should not forget that the early Twentieth Century French art world provide a higher place than the nude. But the limits were clear for women. Chanel as fashion designer. Sonia Delaunay too. Natalia Goncharova as designer for the Ballets Russe. The female as artist and painter had to struggle. ⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕⭕
#matisse #henrimatisse #modernart #contemporaryart #cutout #jazz #art #artoftheday #rozanova #olgarozanova #matissejazz #sneakypic #fridaynightart #johnberger #feminism #sculpture

Olga Rozanova (Russian, 1886-1918)
- The green stripe, 1917 ;
- Jack of hearts, 1915 ;
- Self-portrait, c. 1912
__________
#olgarozanova #woman #artist #painter #art #arthistory #womanartist #womaninarthistory #womenartists #painting

infamous revolutionary piece "beat the whites with the red wedge" by el lissitzky, 1919. like liubov popova and other russian artists whose lives were swept up in the communist revolution, el lissitzky believed the artist must serve society through activism and goal-oriented creation, ("das zielbewußte Schaffen"). I feel like this composition was inspired by Popova's painterly architectonic (1917) from the previous post. what do you think? #ellissitzky

painterly architectonic, 1917. by liubov popova, russian avante garde and suprematist painter powerhouse. she was a fervent communist who saw the purpose of art as service to society.

suprematist composition (1917) by olga rozanova - another prominent russian futurist painter, who managed to accomplish an impressive amount for someone who died tragically of diphteria at just 31 (1886-1917). she is considered the foremother of abstract expressionism, and was a member of kazimir malevich's famed suprematist artist group.

Sideboard with dishes by Olga Rozanova #olgarozanova #cubism #russianavantgarde #art #artlovers

Detail of Olga Rozanova's 'Portrait of a Lady in Pink (Portrait of Anna Rozanova, the Artist's Sister)' 1911
Museum of Visual Arts, Ekaterinburg (For her bio see previous post.) #bornthisday #olgarozanova

The Russian painter, poet and art theorist Olga Vladimirovna Rozanova, was born June 21 1866. She studied art in Moscow and St Petersburg, befriended the Suprematist artist Kazimir Malevich in 1912, took part in exhibitions, illustrated a book of poems by the Italian Futurist, Marinetti, and married the poet Aleksei Kruchenykh in 1916, around the time she decided to devote herself to abstraction. She worked on the first Suprematist journal, 'Supremus'; designed textiles, became a member of the Department of Industrial Art, travelled extensively around Russia and worked with Rodchenko. In 1918, Olga died of diphtheria. The conventional history of Russian modernism rarely mentions women, and it is hard to find out much about her, but the @tretyakov_gallery, the Russian Museum, St Petersburg and @museumludwig , all have works by her in their collections. #bowdown #bornthisday #olgarozanova

📕 Nina Gurianova 📖 #OlgaRozanova and the Early #RussianAvantgarde 1910-1918 ➡❤👍 #art #painting #futurism #book
#ОльгаРозанова "#Интерьер пивной", 1910е. Образцовая кубофутуристическая расчлененка с иронией 😏 #РусскийАвангард #кубофутуризм

Olga Rozanova (Russia, 1886–1918) Postać. #olgarozanova #russia

"Pub (Auction)" by 🇷🇺 painter Olga Rozanova, created in 1914 🎨
.
.
#HerArt #KnowHer #WomenInArt #PubAuction #OlgaRozanova #CuboFuturism #RussianArtist #5WomenArtists

🔶🔶🔶🔶
OLGA ROZANOVA ...
🔷🔷🔷🔷 ...
'Was it not you who wanted to light up the world in cascades of colour....
Olga Rozanova has died, but your art will shine forever'
Abriged note by Aleksandr Rodchenko on 7 November 1918, the day Olga died. ....
🔷🔷🔷🔷
Olga painted, theorised, wrote Zaum (Beyonsense) poetry and worked long hours during the war, at a toxic printing shop, to earn meagre food rations. Innovating with abstract paste-ons in 1915. So she joined the short-lived Supremus Society of abstract painters with Malevich, etc.
🔸🔸🔸🔸
Olga eagerly supported the October Revolution in 1917, adding her legendary determination and creativity to join the visual arts section of Narkompros (People's Commissariat for Enlightenment). She died of Dipheria, shortly after collapsing aas she worked on street decorations in Moscow, for first anniversary of the October Revolution.
🔷🔷🔷🔷
By 1912, her 'Still Life' contrasts colour. Her objects transcend boring realism. Take a photograph if you want a realistic depiction, it screams.
🔸🔸🔸🔸
By 1915, is one of the highlights of her playing card series, the magnificent Queen of Diamonds, suggesting she has trumped the milder innovation of the Jack of Diamonds group . .......
🔸🔸🔸🔸
And finally her Decorative Composition of 1916, smashes past reality. She found abstraction around the same time as Malevich.
🔷🔷🔷🔷
On news of Olga's death, Lyobov Popova wrote: "I value her highly as an artist, especially in the area of decorative art, and I felt sorry for her as a person, for living was so hard, lonely and sad and she struggled so bravely and cheerfully with the difficulties of life..."
🔷🔷🔷🔷
■□ Decorative Composition 1916
□□ Costakis Collection in #thesaloniki in May 2015
🔸🔸🔸🔸
□□ Queen of Diamonds 1915
□■ Private Collection #stpetersburg.
Photo in #coulthauld gallery in December 2015
🔸🔸🔸🔸... ..
□■ Still Life 1912
□■ #russianstatemusuem in
#malaga in #may 2015
🔷🔷🔷🔷
#olgarozanova #art #russianavantgarde #rodchenko #popova #soviet #russia #malevich #suprematism #colour #unionofyouth #womanartist #feministpioneer #stpetersburg #zaum #rozanova #london

Favorite one out of almost all of my assignments. The movement was Suprematism. This is Kasimir Malevich's 'Suprematism' and Olga Rozanova's 'Color Painting (Non Objective Composition)'. #suprematism #suprematismart #beginningpaintingclass #paintingassignment #acrylicpainting #painting #kasimirmalevich #olgarozanova

olga rozanova / today at moma / after the snow
#moma #nyc #olgarozanova

#olgarozanova (1886-1918) #collage #1916 #11collages #1book #1livre / It's been said that the invention of non-objective painting can be attributed to Olga Rozanova (even before Malevich) /L'invention de la peinture non-objective pourrait lui être attribuée (même avant Malévitch) #vselenskaiavoina #laguerreuniverselle in the beautiful show 'L'Aube de l'abstraction, Russie 1914-1923' #collectioncostakis #costakiscollection #tessaloniki #thessalonique #ottawa #galerienationale #constructivism #constructivisme #suprematism #ism #suprematisme #100yearsago #yearsago #notthatlongago #ww1#gonetoosoon predating #matisse and #jeanarp #languagepoétiqueuniversel #universalpoeticlanguage

Olga Rozanova - Vselenskaia Voina 1916 [Guerre universelle] #russie #olgarozanova #constructivism 5/6

Icônes de l'art moderne - la collection Chtchoukine - Olga Rozanova 1886-1918 Ligne verte 1917 #paris #fondationlouisvuitton #olgarozanova

Directional Lines (or Dissonance) by Olga Rozanova, 1913. Des Moines Art Center Permanent Collection. #olgarozanova #suprematism #art #desmoinesartcenter

Most Popular Instagram Hashtags