#olgarozanova

MOST RECENT

«Зелёная полоса́» — картина Ольги Розановой 1917 года; одно из самых известных полотен русского авангарда, шедевр беспредметной живописи XX века.Полотно вышло за пределы не только супрематизма, но всех существовавших на тот момент направлений авангарда, предвосхитив развитие абстрактного искусства на несколько десятилетий.
Лимитированная коллекция шелковых платков«Русский Авангард в Ростовском кремле».
Вся коллекция скоро будет доступна в сувенирном магазине Музея заповедника "Ростовский кремль".
#rostovkremlin#silkscarves#зеленаяподоса#ольгарозанова#русскийавангард#коллекцияплатков#коллекцияаростовскомкремле#аксессуары#сувениризкремля#olgarozanova#grinstrype#платоквподарок#платокназаказ#тренды#зеленый#полоса#русскийавангард

Mood board for new #LandscapeSublime 🔜
#OlgaRozanova #AlexandraExter #NataliaGoncharova favorite Amazons 🙌 #avantgarde

Ol'ga Rozanova #olgarozanova

Ol'ga Rozanova #olgarozanova

Ol'ga Rozanova #olgarozanova

Летом в Центре искусств королевы Софии проходит выставка «Русский дада. 1914–1924», исследующая русский след в дадаизме. В экспозицию вошли 250 произведений — живопись, коллажи, книги и фильмы из российских и западных коллекций.

Считается, что дадаизм в России не прижился, поэтому от мадридской выставки следует ожидать открытий. По крайней мере, ее куратор Маргарита Тупицына представляет новый взгляд на устоявшиеся представления о русской версии направления. Сложно отрицать, что русский авангард с дадаизмом пересекался, а кое-где и смыкался. Абсурд, нигилизм, ирония были инструментами художников-авангардистов и на Западе, и в России. Как отмечает куратор, «выставка исследует русский авангард через перспективу антиискусства, ассоциированного с интернациональным движением дада». @museoreinasofia #dada #дадаизм #мадрид #madrid На фото: #OlgaRozanova «In the Street», #AlekseiMorgunov «Cubofuturistic composition»

Olga Rozanova, « composition sans titre », 1916. Centre georges Pompidou exhibition.
#olgarozanova #suprematismerusse #vitebskgram #vitebsk #centregeorgespompidou #picoftheday #parisexhibitions #summervibes #mytaste

Olga Rozanova (1886-1918) was a Russian avant-garde artist in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism.
She was born fifth child in a family of a local head police officer and a daughter of an Orthodox priest in a small town near Vladimir. She graduated from the Vladimir Women's Gymnasium in 1904 and moved to Moscow. In Moscow she attended an Art School and tried to enroll to the famous Stroganov School of Applied Art in 1907, but was not accepted for admission. After this, she trained in a private studio.
In 1916 she joined the group of Russian avant-garde artists Supremus that was led by Kazimir Malevich. By that time her paintings, developed from the influences of Cubism and Italian Futurism, took an entirely new start into pure abstraction in which the composition is organised by the visual weight and relationship of colour.
Her Non-objective composition, 1918 also known as "Green stripe" anticipates the flat picture plane and poetic nuancing of color of abstract expressionism.

#olgarozanova #pureart #avantgarde #abstractpainting #expressionism #femaleartist #abstractart

{une semaine une expo} #utopie collective sous la houlette de #malevitch ... quand « les places deviennent nos palettes » les #artistes #peintres russes touchent à tout, géométrisent tout 👀 l’art envahit les #villes ; #collectifounivis (les affirmateurs du nouveau en art) #vitebsk #1920s #russie #rusia #strzeminski #strzemiński #outilsetproduitsdelindustrie ; #koudriachov #suprematisme #suprematism #projetdecor #theatre #orenbourg ; #olgarozanova #composition sans-objet ; #paris #exposition #centrepompidou #beaubourg ; expo terminée ...

#marcchagall 1915/19 N’importe où hors du monde #iliatchachnik 1923 Composition #suprematisme #wladyslawstrzeminski 1919/20 Outil et produits de l’industrie #levloudine vers 1920 #olgarozanova vers 1916 #kazimirmalevich 1916 #suprematisme

Olga Rozanova (1886 –1918) was a #Russian #avantgarde artist working in the styles of #Suprematism, #Neo-Primitivism and #CuboFuturism. She was born in Vladimir but after graduating from women’s gymnasium in 1904 she moved to Moscow where she attended the Bolshakov #ArtSchool. Critics claim that her work is most closely associated with the ideals of #ItalianFuturism that “emphasized speed, technology, youth, and violence, and objects such as the car, the airplane, and the industrial city.” When she married Aleksei Kruchenykh in 1916, she also joined the group of Supremus artists led by #KazimirMalevich. During this time, she developed her style further and started creating art work in pure abstraction with the main focus laid on colour. A couple of years later she created a series of non-objective paintings which she called tsvetopis. One of the most famous art works form this series is “Green Stripe” (1917) 👉 http://ow.ly/p6dZ50hUql7 From my illustration series #womeninhistory 👩‍🎨 #OlgaRozanova #GreenStripe #illustrationdaily #womenillustrated #womenartists #illustrationseries #womeninart #zurichart #illustrationow

▫◽◻⬜
Ольга Владимировна Розанова
OLGA ROZANOVA IN SAMARA

SUPREMATISM (FLIGHT OF AIRPLANE) ◾1916
Oil on canvas■

🔴1■COLOUR AS 'THE THING'■
In 1916, Olga proclaimed colour as the focus of her painting. Warm yellows form flash in contrast with colder blues and greens. Red influence erupts in browns and pinks, etc. This creates a dynamism and weightlessness. Along with contrasting geometric forms and curved forms. Note the wider palette than Malevich in this period. The colours bursting out the frame. Not a follower. But a fiery innovator, of colour and non-objective painting, in her own right▶Photo 2, 3 & 6 are close-ups of a photo by @radikdamirovich from his recent Samara highlights. Catch a #Malevich and more in his highlights■

🔴2■WHAT AIRPLANE?■
Don't waste time looking for one. You won't find it. Nor gravity. Indeed, no sign of the objective world. Colour creates form for Olga■

🔴3■ INFLUENCIAL LEADER■
In the 1910s, Olga became a central figure in the Russian Avant-Garde, for her painting, theory, Futurist book designs and organisational skills. She also wrote #Zaum (beyonsense) poetry. A leading figure in the Union of Youth, in St Petersburg. Olga was close to breaking through to full abstraction in 1915. She quickly went fully abstract in her painting. A natural fit in joining Malevich's Supremus Society in 1916. Her life was taken too early in 1918, through diptheria. A victim of the after-effects of the Imperialist War, followed by disease and death across Europe■

🔴4■SAMARA■
Famous for the River Volga, the nearby #Lada Factory. Samara has been hosting #Football #World Cup matches. #Brazil left town victorius against #Mexico. Now #England and #Sweden enter town for a Saturday show-down. In 2015, I popped into a canteen close to Samara train station, on my 35 hour cozy train journey from cozy #Orsk to #Moscow. And of course, walked around #Pensa where #Tatlin studied. And #Orenburg, home of the #UNOVIS branch that Malevich visited■

#olgarozanova #rozanova #suprematism #russianart #modernart #russia #ольгарозанова #womanartist #russianavantgarde #розанова #russia #geometricart #london #happybirthday #samarafineartmuseum #самара

🖼 1 (right) : Olga Rozanova (1886--1918):
«Still-life with tomatoes» (1910 ; Oil on canvas ;Saint-Pétersbourg ,Musée russe )
🖼 2 (left) : Guerman Federov «Still life with a samovar»
(1917 ; Oil on canvas ; Minsk ,Musée National d'art de la Biélorussie). Exposition «Chagall , Lissitzky , Malévitch.... L'avant-garde Russe à Vitebsk , 1918-1922)
#olgarozanova #rozanova #federov
#centrepompidou #centrepompidouparis #centrepompidouvuparvous #exhibition #exposition #vitebsk #chagalllissitzkymalevitch #artist #painting #modernart #artmoderne #artmodern #artrusse #russianart #russianartist #contemporarypainting #contemporaryart #beauxartsmag #arthistory

Most Popular Instagram Hashtags