Super excited to be pre-preparing for our new gig coming up in November! 🔳🔲▪️ ▫️▪️▫️▪️▫️▪️▫️▪️▫️▪️▫️▪️▫️▪️▫️▪️▫️▪️ Cyberwaste
Projector, and a noir-ish soundtrack, a night drive with William Gibson as your Sat Nav. Not what I was expecting at all from the name, but it's been mostly ambient stuff tonight. The projected visuals have something of a Lawnmower Man feel, though this is no nightmare. You have become one with the machine now. You recognise yourself in the mirror, but see that you are also irrevocably changed. Parts of you are better, faster, you only wish you were able to hide the wires.
“The music created was very well produced, atmospheric and well supported with the projected graphics.” http://www.dso.co.uk/gig348.htm ▪️🔲▪️🔲▪️🔲▪️🔲▪️🔲▪️🔲▪️🔲▪️🔲▪️🔲
“Drawing from a wide range of influences, including Aphex Twin, Nine Inch Nails, Massive Attack and Moby, Cyberwaste pull together electronic music across hip-hop, industrial, dance and all points in-between.
The female-fronted electronic act have found their home on the Syndicol label (home of Dicepeople and Moi Saint) and have cultivated a talent for immersive soundscapes and bass-heavy beats compositions.
From the glitch beats of ‘Atom Place’ to the subtle rhythms of ‘Metamorphosis’ and the spacey beats of ‘Client’, Cyberwaste manage to draw a stylish aesthetic on their future music compositions.
For live outings, Cyberwaste employ visually-striking projections, offering an hypnotic stage performance against their engaging electronica.”
🔳 #synthmusic 🔲 #garynuman ▪️#Cyberwastemusic