"It’s really interesting because it wasn’t until I was halfway through shooting the Game Of Thrones that I realized that in the last two and a half years, I’d played a load of PR-savvy women. I mean, Margaery is so PR savvy. That’s her power play within the Game Of Thrones. Cressida’s packaging of propaganda is also a form of PR manipulation, and then I also played The Scandalous Lady W, Lady Worsley, and she was one of the first women historically to harness the tabloid British press to fight her husband. So it completely happened by accident, to be perfectly honest. It comes from the writing, I suppose. I just look for good scripts and good characters, and it’s a dimension that, if it happened as a motif through my work in the last few years, it’s not something I did consciously at all."
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