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MOST RECENT

Nothing gives me more pleasure than watching her appreciate art. Her eyes swell, her finger darts back and forth pointing to share the magnitude of what she's experiencing with me. Her tiny mind exploding, processing all of the shapes and colors. It's sensory overload in the best possible way. Of all the art exhibits I've taken her to, @takashipom has by far been her favorite. We actually did three rounds of the show and she wasn't finished at that. Usually she's all "time to go" but not this time. I highly recommend taking your kids to @vanartgallery to check out this show.

Takashi Murakami's The Octopus Eats Its Own Leg is a must see!

@vanartgallery @takashipom
#vagxmurakami #myvanartgallery #artmakesus

Pt1. Some of my favourite micro detail at the #takashimurakami exhibit. There was so much to take in, kinda like my work space.
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#vagxmurakami #takashipom #artmakesus #myvanartgallery #vancity #vancouver #art

"History is history. Now is now. Forget about history. Now is happy." ~ Takashi Murakami #vagxmurakami 🌼🌸🌺 @vanartgallery

Created to create.

Happy Lunar New Year! Celebrate the #YearoftheDog with a visit to the Gallery to discover the depth and complexity of @takashipom’s work. Can you spot these playful dogs in one of his monumental paintings?

In the late 1990s, #TakashiMurakami developed a new theory of art that he coined ‘Superflat.’ The concept describes a world that blurs distinctions between high art and low culture, a world post-World War II that is metaphorically flattened by the advent of the atomic bomb. Murakami was inspired by the scrolls of #EdoPeriod artist, Jakūchu Itō. As Murakami explains, Itō painted animals in “a completely flat composition. A lot of chickens. A lot of dogs. The painter is organizing [the composition] for the eyeball moving.”

There are so many details to keep the eye moving across the picture plane in Takashi Murakami’s works. Come take a closer look! #VAGxMURAKAMI

Images: (1) Takashi Murakami, “69 Arhats Beneath the Bodhi Tree,” 2013 (detail), acrylic, gold and platinum leaf on canvas mounted on board, Collection of Lune Rouge, © 2013 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. (2) Jakūchu Itō, “100 Dogs,” 1799

Want to get enhanced exhibition content like this when you visit "Takashi Murakami: The Octopus Eats Its Own Leg"? Look for Facebook Messenger Codes throughout the exhibition to discover more about the artworks on display. Give it a try on your next visit to the Gallery! #VAGxMURAKAMI
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To scan a Messenger Code:
1. Activate the camera in your Facebook Messenger app
2. Press your screen and hold until a circle appears
3. Hold your camera up to the Messenger Code and centre it in the circle
4. Messenger will automatically scan the code and a direct message will be sent to your phone

We are all responsible for our own happiness. Be grateful, give love and Happy Valentine's Day! ❤ Sending my love to heaven ❤

#love #missingma #valentinesday #artgallery #flowers #art #colorful #vancouver #vagxmurakami #MyVanArtGallery #takashimurakami
#artexhibition #february #loveday

Hi-five! It’s Valentine’s Day❤️ This is a detail shot of @takashipom’s piece, “Tan Tan Bo Puking - aka Gero Tan” in his show, The Octopus Eats Its Own Leg 🐙, on right now @vanartgallery. Check out more on my blog: www.bigcityart.ca #murakamistorm #takashimurakami #theoctopuseatsitsownleg #hifive #popart #superflat #colour #japanese #japan #japaneseartist #vancouver #vancouverart #bigcityart #myvanartgallery #artmakesus #colour #blue #blogger #artblog #popsurrealism

MOOD. Happy Valentine’s Day! ❤️
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Fall in love with #TakashiMurakami’s eclectic style and discover the evolution of his practice in his first Canadian retrospective, on view at the Gallery until May 6.
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#repost of @poshytuffy with Murakami’s #KanyeBear (2009) #VAGxMURAKAMI

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