‘William Robinson: Genesis’ explores the rich experimental spirit and inimitable mastery of Robinson’s works on paper to show that rather than being a minor interest, this medium has contributed greatly to the development of his contemporaneous canvases.
Since the 1960s, Robinson has produced hundreds of works in watercolour, graphite, gouache, and ink, as well as lithographs and etchings, created both as studies related to paintings and as independent works.
The exhibition brings together a selection of more rarely seen works alongside those that have been exhibited more widely, allowing the viewer to clearly see the development of Robinson’s distinctive use of colour and the artist’s move towards the multidimensional perspective for which his large landscape paintings are so acclaimed. The inclusion of a select group of major paintings, such as ‘The blue pools, Springbrook to Beechmont’ 2000 and the Archibald Prize winning self portrait, ‘Equestrian self portrait’ 1987, further reveal connections to his works on paper. They illustrate how, over time, this often overlooked medium has contributed significantly to Robinson creating a pure, singular style that has seen him become one of Australia’s greatest living artists.
Full film available to watch @hg_hamilton exhibition ‘William Robinson: Genesis’, closes 22 July. Free entry.
Video footage: William Robinson Gallery, Queensland University of Technology
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