#authorjewellery

MOST RECENT

Piece name: From Rivers - Contamination.⠀
Materials and techniques: Mixed⠀
PH: Damián Wasser⠀
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Nombre pieza: De Ríos Contaminación ⠀

Materiales y técnica:Mixtas⠀
PH: Damián Wasser⠀
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#mabelpena #mabelpenajewellery #authorjewellery #contemporaryjewellery #jewellery #necklace #lajoyeriadeautor #joyerosargentinos #contemporary_jewelry #art #jewelry #rivers #rio #contamination #contaminación #contaminacion

My work featured on Format88, a design and culture website from Serbia.
Thank you Ivana @format.88 !
http://format88.com/maria-carelli-iz-argentine-stvara-nosive-kreacije-nakita-koje-oponasaju-more-i-prenose-snagu-vode-na-telo/

#contemporaryjewellery #contemporaryjewelry #artjewelry #authorjewellery #artjewellery #authorjewelry #paperjewellery #paperdesing #paperjewelry #joyeriadeautor #buenosaires #tendence18 #Frankfurt #Serbia #format88 #mariacarelli

Orchid dew drops choker⠀
Materials: Silver 925,999⠀
PH: Damián Wasser⠀
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Gargantilla Orquídea Rocío⠀
Materiales: Plata 925, 999⠀
PH: Damián Wasser⠀
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#mabelpena #mabelpenajewellery #authorjewellery #contemporaryjewellery #jewellery #chocker #925silver #silver #999silver #dewdrops #orchids #orchid #lajoyeriadeautor #joyerosargentinos #contemporary_jewelry #art #jewelry

My new necklace is about small sea towns. It is really amazing to travel to this towns, to draw small houses, to make a foto of it, to drink perfect wine ashore the sea🤗.
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By the way I have my lovely fotoblog on @leslysml with pictures from my travels!
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All my jewelry you can buy in my Etsy shop (active link is in bio). You are welcome☺️!
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#jewelleryblog #handmadejewellerydesigner #authorjewellery #oneofakindjewelry #etsyseller #etsyjewelry #jewelrymaker #silverjewelry #silverjewelry925 #handcraftedjewels #etsystore #jewelrylover #olesyarubinova #metaljewellery

Brooch: Living together (now being exhibited at II Latin American Contemporary Jewelery Biennial). ⠀
Materials: 925 silver, poly bags, PLA.⠀
Techniques: Lost wax, construction, thermofusion, 3D printing.⠀
Measurements: 65 x 95 x 18 mm.⠀
Year: 2018⠀
PH: Damián Wasser⠀
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Broche: Convivencia (exhibida actualmente en la II Bienal Latinoamericana de Joyería Contemporánea).⠀
Materiales: Plata 925, bolsas de polietileno, PLA.⠀
Técnicas: Cera perdida, construcción, termofusión, Impresión 3D.⠀
Medidas: 65 x 95 x 18 mm.⠀
Año: 2018⠀
PH: Damián Wasser⠀
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#mabelpena #mabelpenajewellery #authorjewellery #contemporaryjewellery #jewellery #brooch #925silver #silver #plasticbags #lostcastwax #polyethylenebags #recycle #reuse #lajoyeriadeautor #joyerosargentinos #contemporary_jewelry #art #jewelry #polybags #PLA #construction #thermofusion #3dprinting #IIbienallatinoamericanadejoyeriacontemporanea #joyerosargentinos

Early start this morning!
Today we’ll be talking about ‘you and your product’ so I’m packing all my favourite pieces. Definitely this guy and many more. Which other ones do you think I’m taking? 😉
Guesses welcome!



#handmadejewelry #showmeyourrings #benchpegselfie #judithpeterhoffjewellery #freckles #pursueyourdreams #makersgonnamake #artjewellery #authorjewellery #storytelling #finejewelry #madeinlondon #modernluxe #jewelerylover

One more close-up from my #MAshow at @thecassart / The Cass. My research focused on analysing and understanding reflection as a critical tool for both deconstruction and generation of personal and practice-related narratives. My methodology was then centred on creating situations in which to practice that would generate reflection through exploring new /unknown, different/ unfamiliar and / or uncomfortable ways of working.

For the past three years I have been lucky and honoured to take part in @tincallab's Challenge exhibitions. The pieces pictured here are for the last one, Jewellery and Music. A lot of my research has been about bringing subconscious approaches into the conscious so they could be observed, analysed and possibly repeated. Taking part in this project several times has given me the opportunity to observe and analyse changes in my approaches with both working to a really open theme and to a retail capped price of €100.

While my pieces have stayed intellectually reflective throughout, I have had the chance to ask myself important questions regarding pricing and expectations, both as a maker and as a viewer:
- can we ever separate thinking and making time in a piece of art?
- how do I feel about the price cap? Wonderfully affordable as a viewer, but not always regionally sustainable as a maker...
- how much do I care to send in something that I know would be priced differently in a different place?
- and on that note, how do we cope with such differences in prices when we, as a tribe, are very nomadic and might have work in different galleries across the globe?
- as a maker, what are the price expectations of an educated audience?
- and as a viewer, how do I feel when I often cannot afford to buy other people's work?

Thanks @anapatriciapina and @tincallab for providing not only great themes but a stimulating environment in which to ask such questions!

This gecko ring in sterling silver is a surefire conversation starter. Dm for orders 🦎
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#creatures #geckojewellery #geckos #silversculpture #lovemyjob #creepycrawlies #jewelleryartist #handmade #handcrafted #quirkycouture #whimsy #authorjewellery #kathlynallan

One more close-up from my #MAshow at @thecassart / The Cass. My research focused on analysing and understanding reflection as a critical tool for both deconstruction and generation of personal and practice-related narratives. My methodology was then centred on creating situations in which to practice that would generate reflection through exploring new /unknown, different/ unfamiliar and / or uncomfortable ways of working.

For this research exercise I joined @pennyakester 's project #PassItAlong, which involved contributing ideas and labour to three pieces. I started a piece sending out a component, I worked on another's middle stage, and completed a third (the one in this picture) to keep. This had components from two other jewellers (a length of oxidised copper chain and some beading). I removed some of the beading, trashed and fused the chain to itself and painted it with golden nail varnish, added the chocolate foil pendant, mounted it on a rusty can top and set it in biscuit tin as a brooch.

A lot of my research has been about bringing subconscious approaches into the conscious so they could be observed, analysed and possibly repeated. Taking part in this project for three years, it has been invaluable to have the opportunity to explore and analyse over time, and with different groups of people, issues of:
-authorship and identity (what does it mean to make a piece our own? what would we/others call "our/your" work? what makes your work "yours"?),
- control, intervention and collaboration (how easy is it to let go of our work/ideas? how far are we willing and/or capable of intervening in somebody else's work? how do we feel when people intervene in ours? how do we cope with perceived differences in skillsets and aesthetics?) On another note, when I mounted the brooch, it ended up looking very much like a @bobebendorf piece! I laughed as he is a dear friend and mentor. I showed it to him and we both laughed again at what is authorship and what is copying. The piece is now titled, in homage to Bob, "Does My Brooch Look Bob In This?"

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