#archive

MOST RECENT

Waiting for June 1st like...
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On tour w/ Kanye West in Japan in April of 2007. #archive 🎧🇯🇵

CHINESE MASTERS ARE COMING to PÜR!!!
CHIN SHIZHE // “You Buy a Mercedes and Drag it Home”

Elements of purity tortured in darkness (2014)
Do ever get that feeling that no matter what you try to do in life there is always something that will have a hold on you.. that clings to you and drags you down and makes you feel like you’re trapped in a dark place which you never thought you would have to experience again?

Well that happened to me again and seeing this image I made back in 2014 in my archive i feel it truely captures what I mean! Im hoping that it will pass and that things won’t get too bad but it will always feel like the darkness will have a hold on me in this situation!
#fineartphotography #fineartphotographer #fineartportrait #fineart #conceptualphotography #surrealphotography #performancephotography #purity #tortured #darkness #elements #femalemodel #blackandwhitephoto #monochrome #blackandwhiteportraits #dark #atmospheric #studio #engulfed #ridgwayimagery #oldwork #archive #pastwork #student #kavansphotoforge #emotions

Bersama ibu-ibu dayak dêsa di kaki Bukit Kelam setelah mengikuti sebuah pelatihan pemberdayaan perempuan dalam sektor pertanian.
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#RtF #RecordingTheFuture #audiovisual #archive #research #project #womanempowerment #localwisdom #sintang #borneo

Blank, 2006-2018. Action, portion d'architecture nettoyée, Barcelone. Document noir et blanc, 60x80 cm."Ex-pdf : Exposer les écritures exposées", commissariat : Ann Stouvenel, Mains d'oeuvres, Saint-Ouen. #artcontemporain #insitu #street #blank #barcelone #poster #affiche #print #art #contemporaryart #blackandwhite #expdf #white #exhibition #mainsdoeuvres @mainsdoeuvres #photography #action #document #archive #ecriture #writing #editorialproject #41artists #noiretblanc #labelhypothèse #exhibition #exposition #exhibitionview #currently #chair #chaise

Titimangsa Foundation and Dia.Lo.Gue supported by Bakti Budaya Djarum Foundation, present: “NAMAKU PRAM” Catatan & Arsip. .
Behind tetralogy and sheets of manuscripts about Indonesian people, there is a side of Pramoedya Ananta Toer, unknown to many. Through archive of notes, pictures and scrapbooks of news, this exhibition tries to take a closer look at the life of Pram, the Notetaker of Indonesia.
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EXHIBITION TOUR
Saturday, 21 April 2018
at 10 am & 2 pm
with Engel Tanzil and Danny Wicaksono
Dia.Lo.Gue
Jl. Kemang Selatan 99A
Jakarta 12730
only for 15 people (each group)
for registration, email to info@dialogue-arts.com
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EXHIBITION PERIOD
17 April - 20 May 2018
Monday - Thursday 09.30 - 18.00
Friday - Sunday 09.00 - 21.00
Dia.Lo.Gue
Jl. Kemang Selatan 99A
Jakarta 12730
Open for Public
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#namakupram #pramoedyaanantatoer #archive #exhibition #titimangsafoundation #dialogue #baktibudayadjarumfoundation #galeriindonesiakaya

Narrative Excerpt :
This is a photograph of My grandfather with my aunts, and my grandmother, (his wife) Jyoti Chowdhury (sitting right) and my mother as a little girl, Lipika. It was photographed in Bombay around 1959.
Even though my grandfather Salil Chowdhury died when I was 12, I never really knew him. He was a famous music Director in the Indian film industry.

Bapi Dadu, as we called him, was an infrequent visitor at his wife- my grandmother's house in Bandra. And It never occurred to me to wonder why he didn’t live in this house. The walls were plastered with his photographs, posters, awards. His songs drifted lazily from my grandmother’s trusty companion, the radio transistor, the sound often muffled by pillows.

I remember watching Bapi on TV, on one occasion talking to Asha Bhosle, on another – talking about Kishore Kumar. I remember numerous videos of him conducting a choir. I remember the twinkle in his eye, his proudly bald head and the way his hair always curled at his nape.

One day, in our Bapi-bedecked hall, my older cousin told me in conspiratorial tones that Bapi had another wife and he had other children and that is why he lived in Calcutta and that is why we rarely saw him. I don’t remember being particularly affected. I do remember the puzzle pieces rapidly fitting into their places, but the complete picture, to me, was just a piece of delicious gossip. Like the happily stupid child I was, I didn’t think of our mothers’ devastation, nor the stigma of my grandmother being a single
Mother. "

Full Narrative link in bio

Contributed by Aurina Chatterji, Bombay/Toronto

#Indianmemoryproject #indianhistoryandculture #archive #musician #singlemom #cinema #bollywood #secondfamily

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