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#andreafraser

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#andreafraser #icala wearing hard hat earrings fun artworld brunch

andrea fraser. ‘untitled,’ 2003-04, video documentation of a sexual encounter that figured into the artist’s terms for an artwork that was made for sale to private collectors through the gallery friedrich petzel. #andreafraser

This is what writing a book looks like.

Part 8: Q & A
What is contemporary?

From the critique of endorsement to the endorsement of critique.

Or, how to get a tan in the #FactoryOfTheSun.

#AndreaFraser + #HitoSteyerl

@mocalosangeles @mocastores
#TheArtistParadox

#andreafraser #tbt “‘Untitled’, 2003 was initiated in 2002 when Andrea Fraser approached @petzelgallery to arrange a commission with a private collector on her behalf. The requirements for the commission were to include a sexual encounter between Fraser and a collector, which would be recorded on videotape, with the first exemplar of the edition going to the participating collector. The resulting videotape is a silent, unedited, sixty-minute document shot in a hotel room with a stationary camera and existing lighting.” Rp @tomenyc @macba_barcelona

Academia in the Swiss Alps: In Search of the Swiss Miss #vgirls #andreafraser

"Men on the Line: Men Committed to Feminism, KPFK,197" by #AndreaFraser organized by @wattisarts #brilliant

A pleasure and a thrill seeing the #Andreafraser exhibition "L'1% c'est moi" at the stunning @muac_unam

MOST RECENT

Pendulum in the Turbine Hall. The installation turned the space into a playground, where you can see people swinging happily up and down in the museum, adults and children alike. Museum is often perceived as a sacred space of education, or even elitism in a way. But this installation allowed me to forget the fact that I'm actually in a museum and there are certain set of social behavior that I have to conform to when I'm there. Social behaviors that Andrea Fraser mocked quite often in her works. The experience was interesting and transcendent (for the lack of a better word) for me. @tate #tatemodern#museum#turbinehall#onetwothreeswing#contemporary#art#installation#london#uk#europe

Días con #andreafraser


#contemporaryart

Días con #andreafraser


#contemporaryart

Días con #andreafraser


#contemporaryart

Andrea Fraser - Notes on the Margin (1990/2013) #AndreaFraser #Art

andrea fraser. ‘untitled,’ 2003-04, video documentation of a sexual encounter that figured into the artist’s terms for an artwork that was made for sale to private collectors through the gallery friedrich petzel. #andreafraser

Why is humor such an underrated quality in a work of art? Pictured: Andrea Fraser's performance "Museum Highlights" where she pretended to be a docent and used her fictitious authority to tell her tour about water fountains, exit signs, and other banal parts of the museum as one would describe the works of art.

«Артгид» публикует продолжение полемики о месте арт-критики в современной культуре, которая состоялась 14 декабря 2001 года в Нью-Йорке. В этой части обсуждения критики и историки искусства Джордж Бейкер, Розалинд Краусс, Бенджамин Бухло, Джеймс Майер, художник Андреа Фрейзер, историк и теоретик искусства Дэвид Джослит, куратор и критик Роберт Сторр, художник и критик Джон Миллер касаются вопроса о наследии художественных практик 1960-х годов, размышляют над вечными задачами критики, вспоминают «золотую пуповину» Клемента Гринберга, а также дискутируют о существующих иерархиях и совместных проектах художников, критиков и кураторов в условиях нынешнего культурного производства. Читайте по ссылке в нашем профиле. 
На фото: Андреа Фрейзер. Ключевые пункты музея: разговор в галерее. 1989. Перформанс, видео. Изображение: © Andrea Fraser; courtesy Galerie Nagel Draxler, Berlin. #артгид #современноеискусство #текст #чточитать #обискусстве #artguidemag #text #andreafraser

#andreafraser #downtheriver #whitneymuseum #ny #newyork #singsingprison #singsingjail #usa #americanart #jail #contemporaryart #contemporaryartists #sound
Andrea Fraser, Down the River, 2016.

The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.

In 2016 Andrea Fraser filled the museum’s immense fifth floor with nothing but sound from Sing Sing jail – drawing a link between two institutions bookending American society.

Visually, there was nothing to see because Fraser left the Whitney’s fifth floor empty. She wanted to concentrate visitors’ attention on the ambient sounds of correctional facilities, which she recorded at institutions including Sing Sing. Her intention was not to create a spectacle of the prisoners for museum-goers, but to put Whitney visitors “into the acoustic space of incarceration”. At Sing Sing, where the cells have bars, prisoners are physically confined but their sounds travel. The constancy of noise. The sound of birds, squeaks like sneakers on a gym floor, the rumble of voices, the hiss of a shower turning on, keys rattling, a clang. It ebbs and flows. Just when you settle into it, something new lashes out. Loudspeaker announcements, a yelling man.

I've been feeling down since I came back from residency at VSC. In an effort to regain some creative vitality and motivation I'll be posting a bit about my recent work. This is titled "Desde my abuela hasta Andrea Fraser" (from my grandmother to Andrea Fraser). This series references my heritage, crafts materials, and my body elevated into art objects, yet objectified into products for a market. .
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#ceramics #conceptualism #contemporaryart #artecontemporanea #barro #wool #AndreaFraser #artmarket #craft #performanceart #mexicanartist

This work 30 Plaster Surrogates (No. 9) by Allan MCCALLUM was used in #andreafraser work 'May I Help You?’, which I saw at her retrospective @museumludwig in #cologne Fraser mocked the art world by impersonating a gallerist speaking 'art talk' and it was a demonstration of how exciting ‘live’ art can be. #contemporaryart @sothebys #london

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