#Schoenberg

MOST RECENT

Also here’s some info regarding my set up.
I play a 2011 Chris Petersen “solo” bass (because apparently that’s a thing, I call bs, but let’s not get into that). I use a Realist pickup for jazz, but I may remove it since it restricts the movement of the bass’s plates. I play with Thomastik Bel Cantos for my G, D, and A strings, and until today I switched between two different Thomastik Spirocore E strings. Today, I just put on a Pirastro Flexocor Deluxe E string, with a nice lil candy cane look to it. This is a lot better than Spirocore if you like your bass to sound good, but whatever. I use a heavy Reid Hudson bow, 21 inches long. Very nice for strokes and loud orchestral playing. Anyway, hope to get some extension at some point, make me look cool, all that good stuff. What’s the set up on your guys’ instruments?
#doublebass #practice #classicalmusic #bass #string #violin #viola #cello #music #jazz #orchestra #beethoven #bach #mozart #mahler #schoenberg #santafe #newmexico #symphony #symphonyorchestra

Orchestra stuff is killing me what has happened to my intonation in thumb position kill me
Oh well. Look for some Bach coming soon, hopefully tomorrow.
#doublebass #practice #classicalmusic #bass #string #violin #viola #cello #music #jazz #orchestra #beethoven #bach #mozart #mahler #schoenberg #santafe #newmexico #symphony #symphonyorchestra

#HOMECAREPEDAGÓGICO
#PEDAGOGIA
#SCHOENBERG
Falamos muito SOBRE as crianças e pouco COM as crianças.
É tão urgente para nós educadores escutar. Escutar com os ouvidos e com os olhos.
Aprender para aprender. Pensar sobre o pensar.
Escutar para interpretar, escutar para conhecer, escutar para escutar, escutar para construir.
Texto:Tais Romero

A moving performance of Arnold Schoenberg's searingly beautiful, early masterpiece Verklaerte Nacht (Transfigured Night) by the London Symphony Orchestra yesterday night in the intimate Kursaaal in Merano. Based on the poem by Richard Dehmel, It was Schoenberg's declaration of love for his future wife Mathilde Zemlinsky. Here is Richard Gerstl's extraordinary portrait of the Schoenberg Family (1908). Both obsessive and deeply flawed characters, Schoenberg and Gerstl drove each other on to produce some of the century's most radical art - with tragic consequences.
#schoenberg #richardgerstl #zemlinsky #lso #verklartenacht #expressionism #austrianexpressionism #meranomusicfestival

Свет, когда он оттеняет необходимое.
Взгляд @miriam_rush .
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#schoenberg #music #concert #remember #others

We're enjoying beautiful scenery on the road to tonight's concert venue in Merano - perfect inspiration for Schoenberg and Bruckner with Esa-Pekka Salonen

Arnold Schoenberg with students, Los Angeles, 1947.

Sendai Philharmonic Orchestra
#321 Subscription Concert
2018/09/14-15
Hitachi Systems Hall Sendai Concert Hal

Conductor:Masato SUZUKI
Concertmaster : Miho KAMIYA

#Bach / #Schoenberg : Prelude & Fugue E-flat major BWV 552 "St. Anne''
#Bach / #Webern : Ricercare
#Ravel : Le tombeau de Couperin
#Mendelssohn : Symphony No.5 in D major op.107 ''Reformation''

I can't believe I just spent all of work listening to Schoenberg and Bach. 9/20/18 #classicalmusic #bach #schoenberg

Good afternoon from @exetercathedral today! We’re performing our We Will Remember Them programme tonight - see you here if you can make it! Link on our website .
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#tenebrae #concert #exeter #devon #ww1 #memorial #wewillrememberthem #elgar #parry #howells #schoenberg

Abgefahren, aber so lecker: Mehlbüddel (Serviettenknödel mit Rosinen), dazu Kochwurst, Bauchspeck und Kasseler - und Kirschsoße! Der Hammer... und landestypisch.

#schleswigholstein #schoenberg #krummbek #kueste #norden #essen #hausmannskost #landestypisch #food #foerde #dinner #ausgehen #urlaubvomalltag #ventermundi #wittsgasthof #speisen #tradition #lecker #leckerschmecker #bodenstaendig #probstei #mehlbueddel #glueck #gluecksorte #drosteverlag

Nikos Skalkottas (21 March 1904 – 19 September 1949) was a #Greek #composer of 20th-century classical music. A member of the #SecondVienneseSchool, he drew his influences from both the classical repertoire and the Greek tradition.
Throughout his career #NikosSkalkottas remained faithful to the #neoclassical ideals of #NeueSachlichkeit and "#absolutemusic" proclaimed in Europe in the 1925. Already in Berlin he was taking an interest in #jazz and at the same time developing a very personal form of the twelve-note method, making use of not one but several tone-rows in a work and organizing these rows to define different thematic and harmonic areas. (For example, the 'Largo Sinfonico' employs no less than 16 twelve-tone rows.) Like #Schoenberg, he persistently cultivated classical forms (such as sonata, variations, suite), but his worklist is divided between atonal, twelve-tone and tonal works, all three categories spanning his entire composing career. Such apparent heterogeneity could have been intensified by a love of Greek folk music. The most striking example of his commitment to Greek folk music is the series of '36 Greek Dances' composed for orchestra between 1931 and 1936, arranged for various different ensembles in the ensuing years and in part radically reorchestrated in 1948–49. About two-thirds of these dances are based on genuine Greek folk themes from different parts of the Greek mainland and islands, but the other third use material of #Skalkottas's own composition in folk style.
#music #classicalmusic #musicfact #musicfacts #weloveclassicalmusic #VienneseSchool

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