#Sassanid

MOST RECENT

Prof. Dr. A. Vedat Çelgin hocamız için hazırlanan armağan kitapta, Sasani Hukukunda Kölelik konulu makalemin neşredilmiş olması benim için büyük bir onur. #article #sassanid #sassanids #sasanian #collectedessays #festschrift #classicalstudies #books #bibliophile #bibliophiles #bibliomania #scholarlybooks #arkeopera #arkeoperakitabevi

#Azadi Tower (Freedom Tower) and originally named the Shahyad, was built in 1971 by Iranian architect Hossein Amanat. He combined elements of the #architecture of #Sassanid and #Achaemenid eras with the post-Islamic Iranian architecture. This 50 metres tall (164ft) building as a landmark of modern Tehran is located at Azadi Square in #Tehran.
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#irangato #traveltheworld #reisen #travel #travelawesome #seetheworld #view #bestintravel #igtravel #travelgram #tourism #sightseeng #amazing #city #architecture

امیرحسین سرفرازیان:
در عصر ساسانی شاید برای نخستین بار شرکتهای بازرگانی در ایران تاسیس شدند.
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از منابع دوره ساسانی به ویژه ماتیکان هزار داتستان میدانیم که در آن دوره شرکتهای بازرگانی یا همبایه Hambayih وجود داشته است و بازرگانی نه در دست اشخاص بلکه در دست شرکتها بود. این شرکتها کاروانهای تجاری را تا دور دستها ارسال میکردند.
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از پیامدهای تجارت گسترش شهرنشینی، توسعه صنعت، توسعه کشاورزی، اختالط نژادی،انتشار ادیان وفرهنگ، زبان وسنت ها در این دوره بود

Sasanian sword mount
See more at www.patreon.com/eranudturan
#eranudturan #sasanian #sassanid #sassanian #persian #persia #persianhistory #sword #gold #history

#Saltmen

Saltmen (Mardan-e Namaki) is a name which has been given to six mummified men discovered in Chehrabad salt mine, #Zanjan Province, in the winter of 1993. Among them, there are the bodies of a woman and a teenage boy too. Some of the saltmen have been severely hurt as a result of mine working by bulldozer. In 2008, mine operation stopped and the body of the sixth saltman was left untouched in the mine due to lack of necessary equipment to maintain it. 
Among discovered men, three of them belonged to #Achaemenid period (about 400 BC) and two of them to late periods of #Sassanid dynasty (about 400 to 600 AD).
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مردان نمکی
مردان نمکی نامی است که به شش مومیایی کشف‌شده در زمستان سال ۱۳۷۲ (1993 میلادی) در معدن نمک چهرآباد استان زنجان داده شده‌است. در میان آن‌ها جسد یک زن و یک پسر نوجوان نیز وجود دارد. تعدادی از مردان نمکی بر اثر ادامهٔ کار معدن با بولدوزر، به‌شدت آسیب دیده‌اند. در سال 2008 بهره‌برداری از معدن متوقف شد و جسد ششمین مرد نمکی به دلیل کمبود امکانات لازم برای نگهداری از آن، دست نخورده در معدن باقی ماند.
از میان مردان نمکی یافت شده، سه مرد نمکی مربوط به زمان هخامنشیان (حدود 400 پیش از میلاد) و دو مرد نمکی دیگر نیز مربوط به اواخر دوران ساسانی (حدود 400 تا 600 بعد از میلاد) هستند.

#Roudkhan Castle
Roudkhan Castle or Hesami Castle is the name of a historical castle, 20 kilometers from the south west of #Fuman in #Gilan Province. Some experts believe that the castle was built in #Sassanid period at the time of Arabs attack to #Iran.
This castle is located at a height between 665 to 715 meters from the sea level and a river with the same name runs beside it.

قلعه رودخان

دژ رودخان یا قلعه حسامی نام قلعه‌ای تاریخی در ۲۰ کیلومتری جنوب غربی شهر فومن در استان گیلان است. برخی از کارشناسان، ساخت قلعه را در دوران ساسانیان و مقارن با حمله عرب‌ها به ایران دانسته‌اند.
این قلعه در ارتفاعی بین ۶۶۵ تا ۷۱۵ متر از سطح دریا واقع شده و در کنار آن رودخانه‌ای با همین نام جاری است.

#Bahram and #Azada

Some of the #Iranian artworks during the 10th-14th centuries have been illustrated by narrative scenes showing a cavalier archer king in the hunting ground of gazelles; while a tiny lyre playing girl sat back him. According to Shāhnāma-i Fērdowsī and Haft Peykar-i- Nizami Ganjavi, such scenes narrate the story of #Sassanid King Bahram-i- Gūr and Āzāda, his lyre player servant girl.

بهرام و آزاده
شماری از آثار هنری ایران سده­ های ۴ تا ۸ ﻫ. ق. با مجالسی آراسته شده­ اند که شاهی کمان­گیر و سواره را در نخجیرگاه آهو نمایش می­دهد، درحالی­ که بر پشت مرکبش زنی ریزاندام و چنگ­نواز نشسته است. این صحنه بنا بر متن شاهنامۀ فردوسی و هفت پیکر نظامی گنجوی، داستان بهرام گور شاهنشاه ساسانی و کنیز خنیاگرش آزاده را روایت می­کند.

Taq wa San or Taq-e Bostan is a site with a series of large rock relief from the era of #Sassanid Empire of Persia, the Iranian dynasty which ruled western Asia from 226 to 650 AD. This example of Sassanid art is located 5 km from the city center of #Kermanshah in western Iran. It is located in the heart of the Zagros mountains, where it has endured almost 1,700 years of wind and rain.

#Band_Mizan
This dam is #constructed on behalf of #Sassanid #Shahpour command and is installed on rocky-beds. It is located on the #Gargar branch of #Karun river and was to divide the river into 2 branch aforesaid Gargar and #Shoteit shared by 4 to 2. There is 9 mouths #directing #water to Gargar. Some trap-doors had been located along it to adjust the water level in case of river spate or leakage. In addition to the remarkable role of dam and #bridge , it was accounted as a #waterfront for jolly boats.
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#hydraulic_systems #systems #shoushtar #iran #tourism #tourist #historical #unesco #water_system #hydro_structures #shooshtar #shushtar #karun #susa

نقاب زر اندود پادشاه ساسانی(شاپور دوم)
بلندی ۴۰سانتیمتر
قرن چهارم پس از میلاد مسیح
موزهٔ متروپولیتن نیویورک
#iran #sassanid
#ایران
#ساسانیان

Roman historian and military officer Ammianus Marcellinus talks without shame about his flight from the fortified city of Amida.
Ammianus was part of the garrison, and, after repeated violent assaults by the Sassanid Persians and several sorties made by the Roman forces inside the city, the author noticed that the roman legions were not enough to defend the city, so he left with the cover of the night along with his commander Ursicinus and reached the city of Antioch.
#ammianus #roman #amida #fortress #art #coin #siege #sassanid #lateroman #antioch

Since I have been posting a lot of flags lately, I felt like making something different. This is my emblem for a Zoroastrian version of the Imperial Guard from the Shah’s Iran (pre-1979). For those who do not know, the Imperial Guard were the Shah’s personal guard force which were modelled after the Immortals, the elite 10,000 Persian soldiers in the army of the Achaemenid Empire.
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- #indoeuropeanart #traditionalism #aryanspring #revoltagainstthemodernworld #persia #persian #sassanid #persepolis #scythian #parthia #parthian #zoroastrian #zoroastrianism #achaemenid #iranian #flag #immortals #skaldicarts #aryan #farahavar #makepersiagreatagain #aryamehr #derafshkaviani #makeirangreatagain #mithra #indoeuropeanworldorder #makeiranzoroastrianagain

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.جواهر (لعل)تراش خورده بسیار زیبا با نقش پادشاه #ساسانی است.این جواهر به قرن 4 بعد از میلاد مسیح باز میگردد که در موزه ی هنرهای #بوستون نگهداری و مراقبت میشود..
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@persian_museum .
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The jewel is very beautiful with the role of the #Sassanid king. It comes back to the 4th century AD, which is kept at the #Boston #Arts#Museum.

#Illustration By Me . The #King "Khosrow Parviz" 24th #Sassanid Emperor and the last powerful king before #islam . He conquered Many Lands Such As Jerusalem , #Armenia , Syria & He Even Sieged The Constantinople or The Current #Istanbul . He Married To An Armenian "Princess Shirin" and their love was so famous . Finally his own son killed him and the country fell into an era of chaos which finally led to #arab invation and fall of ancient sassanid empire ➕

This is the famous Sassanid rock relief depicting the victory of the king Shapur I over two Roman emperors, Valerian and Philip the Arab. It shows Shapur I on horseback, with the Roman Emperor Valerian bowing to him in submission, and Philip the Arab holding Shapur's horse. The relief commemorates the Battle of Edessa in 260 AD, when Valerian became the only Roman Emperor who was captured as a prisoner of war, a lasting humiliation for the Romans. Behind the Sassanid king stands Kirtir, the mūbadān mūbad ('high priest'), the most powerful of the Zoroastrian Magi during the history of Iran.
After the relief we see the tomb of Darius I.

We are in Naqsh-e Rostam, the necropolis of the Achaemenid dynasty (c. 550–330 BC.), located about 12 km northwest of Persepolis, in Fars Province. Well below the Achaemenid tombs, near ground level, are rock reliefs with large figures of Sassanian kings. The placing of these reliefs clearly suggests the Sassanid intention to link themselves with the glories of the earlier Achaemenid Empire.

#iran #iraninmyheart #myiran #farsprovince #naqsherostam #iranianarcheology #iranianart #sassanid #sassanidreliefs #sassanidempire #kingshapur #battleofedessa #achaemenidempire #achaemenid #achaemenidtombs #kingdarius #tombofdarius #sassanidart #achaemenidarchitecture #rockrelief

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