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The Met  The Met presents over 5,000 years of art from every corner of the world. 📷 Share your #MetMoment with us!

This 1913 photo of children at The Met is among the many photographs, drawings, documents, press clippings, and ephemera in the Museum Archives. What’s it like to collect, organize, and preserve these materials? Find out by watching our #HaveWeMetYet Instagram Story Takeover today, featuring The Met’s Managing Archivist @jim.moske. #MuseumArchives #Archivist #AugusteRodin #TheMet

Comment below with the department or job role that you’d like to see in our next #HaveWeMetYet Instagram Story Takeover!

Seen in the galleries: Ms. Collado’s fourth grade class from Brooklyn's Edward C. Blum Elementary School studying a painting by Kerry James Marshall. 📷 by @paristave. #MetModern #KerryJamesMarshall

This sculpture is not just festive…it’s delicious! 🍭Titled “Winter in Amsterdam,” this charming holiday scene is made entirely of sugar. Stop by The Met’s Cafeteria through January 6 to admire the petite masterpiece and creative handiwork that took pastry chefs on @TheMetDining team, led by Executive Pastry Chef Randy Eastman, over a month to craft from scratch. #TheMet

It's the last week to see "Crowns of the Vajra Masters: Ritual Art of Nepal," closing on December 16. The exhibition centers on five spectacular examples of the single most potent symbol of Buddhist ritual as performed in Nepal: the Vajracarya priest's crown. Made of gilt copper with medallions inset with semiprecious stones, rock crystal, turquoise, and coral, these crowns preserve the memory of early Indian Buddhist practices.⁣
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Pictured: Vajracarya's ritual crown, 13th century. Nepal, Early Malla period.

Gogh-ing to visit The Met soon? Make sure to stop by galleries 822 and 825 to view all 16 of the European paintings department’s works by Vincent van Gogh on display. These masterpieces are often loaned to exhibitions around the world, so seeing them all together is a not-to-be-missed occasion. Visitors can enjoy highlights from the artist's prolific years in France, including portraits, still lifes, and landscapes. ⁣
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Artwork: Vincent van Gogh (Dutch, 1853–1890). Cypresses, 1889. Oil on canvas. #VincentvanGogh #VanGogh #TheMet

“Armenia!” is the first major exhibition to explore the remarkable artistic and cultural achievements of the Armenian people over 14 centuries, starting with their conversion to Christianity in the early 4th century through their leading role on international trade routes in the 17th century. More than 140 objects on view include opulent gilded reliquaries, richly illuminated manuscripts, rare textiles, cross stones (khachkars), church models, and printed books. See #MetArmenia now through January 13, 2019 at #TheMet.⁣
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Artwork: Altar Frontal. New Julfa, 1741. Gold, silver, and silk threads on silk. Mother See of Holy Etchmiadzin, Armenia. Photo: Hrair Hawk Khatcherian and Lilit Khachatryan

📷 This week’s #MetMoment pick is by @stehhmartins.⁣⁣⁣ Share photos of your own visit to The Met using #MetMoment for a chance to be featured here!

🎨: Anselm Kiefer (German, 1945). Bohemia Lies by the Sea, 1996. #AnselmKiefer #MetModern⁣⁣⁣ #TheMet

In its “non-touristy” guide to The Met, @NYMag recommends visiting the Gubbio Studiolo in Gallery 501. At first glance, it may look like a fully outfitted interior, with benches and cabinets casting shadows…but it’s an illusion. Look closer and you’ll see the walls are carried out in a wood-inlay technique known as intarsia. ⁣Do you have a favorite place to visit in The Met? Share your answer below or through our Instagram Story.⁣
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Pictured: Studiolo from the Ducal Palace in Gubbio, ca. 1478–82. Designed by Francesco di Giorgio Martini (Italian, 1439–1501). #GubbioStudiolo #TheMet

There’s one month left to see “Japanese Arms and Armor from the Collection of Etsuko and John Morris,” featuring a wide array of samurai armor, blades, and accoutrements dating from the 15th to the 19th century. Pictured here is a a rare complete armor (“gusoku”) by Bamen Tomotsugu, the leading armorer of the Bamen school in the 18th century. #JapaneseArmor #MetArmsandArmor @metarmsandarmor

Opening tomorrow! “Julio Le Parc 1959” at @MetBreuer marks the Argentinian artist’s first solo exhibition in a New York museum. The show celebrates Julio Le Parc’s extraordinary gift to The Met of 24 works and also marks the occasion of the artist’s 90th birthday. Featuring over 50 works, the exhibition presents a substantial, never-before-seen selection of gouaches from one of the most prolific and transformative years in Le Parc’s career. The series illuminates his interest in developing abstraction by incorporating movement through variations, sequences, and progressions. #MetJulioLeParc #JulioLeParc #MetModern #MetBreuer⁣
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Images: Gouaches on cardboard by Julio Le Parc (Argentine, born 1928). Left to right: Mutation of Forms, 1959; Quantitative Sequences, 1959; 14 Colors - Diagonal, 1959. The Metropolitan Museum of Art, Promised Gifts of Julio Le Parc. © Julio Le Parc

Happy first night of #Hanukkah! Celebrate with this exquisite 19th-century silver #Menorah, currently on view through the end of December. Made for the Great Synagogue in Lviv, Ukraine, the ceremonial lamp is cast, chased, and engraved with elaborate motifs. It is one of the largest silver Hanukkah lamps known, standing at nearly three feet tall.⁣⁣
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Image: Hanukkah Lamp, 1866-72. Polish, Lviv. On loan from The Moldovan Family Collection

Happy birthday to artist Georges Seurat, born on this day in 1859. His powerful presence as the leader of Neo-Impressionism resonated among artists for decades. “Circus Sideshow” is his first nocturnal painting and the first to depict popular entertainment. It represents the parade, or sideshow, of the Circus Corvi at the annual Gingerbread Fair, held in eastern Paris in spring 1887.⁣ #GeorgesSeurat #TheMet
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Artwork: Georges Seurat (French, 1859–1891). Circus Sideshow (Parade de cirque), 1887–88

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