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Maharam  Founded in 1902, Maharam embraces a range of disciplines, from product, graphic and digital design to art and architecture.


#ChristopherDaniels. People Doing Different Things, 2010. #MaharamCollaborator Christopher Daniels is a mixed-media artist whose large detailed drawings and paintings exhibit an underlying fascination with the simultaneous and universal nature of the human experience. Daniels’s #MaharamDigitalProjects People Doing Different Things is composed of 190 intimately detailed portraits based on observing human activities and interactions from the mundane to the provocative.

#CeciliaEdefalk. En annan rörelse (Another movement),1990. Oil on canvas. #MaharamLikes #MaharamCollaborator

Our graphic design studio #MaharamMedia orchestrates every aspect of Maharam’s visual identity, from the design of our website down to the postage we use. But the work doesn’t stop there: Media also created one of our premier leather accessories, the Folded Pouch. Made from #MaharamLeather Hue, the Folded Pouch features a sleek, stitchless construction. Here, in this series of photographs by @nickballon, the designer demonstrates its unique envelope-inspired, origami-like assembly. Available in four sizes and seven colors; shop link in bio. #MaharamBags

#HansGConrad. HfG Ulm students, 1955. @alice.rawsthorn’s latest piece for #MaharamStories takes the iconography of political protest as its subject, with a case study of impeccably designed activism by students protesting the closure of the #UlmSchoolofDesign in 1968. Read more in bio link. Photograph courtesy of René Spitz.

Charles and Ray #Eames. Circles, 1947. A faithful translation of a cutout construction-paper collage by #CharlesandRayEames, Circles is a woven upholstery textile that exemplifies the Eames’s notion that “good design” should be centered around functionality, materiality and accessibility. One of four @eamesoffice patterns reissued by the #MaharamDesignStudio in close partnership with Charles’s daughter Lucia Eames, Circles is part of our ongoing #Textilesofthe20thCentury series. #MaharamTextiles

#GeorgeByrne. Los Feliz #1, 2017. Photograph. #MaharamLikes

Notebooks by #MaharamMedia. Cloth-bound with forty-eight sheets of perforated micro-grid paper. Available in sets of three: smoke, orange, and rust or black, cornflower, and terracotta. Link in bio.

HfG Ulm student protest, 1968. “Few political protests have deployed the formal aspects of design with such aplomb as the students of the #UlmSchoolofDesign in West Germany, when they campaigned against its closure in 1968.”—@alice.rawsthorn on the iconography of political protest, now #MaharamStories. Read the full story in bio link. Photography by Herbert Kapitzki, courtesy of HfG-Archiv Ulm.

Coptic textile fragment, ca. late 3rd-4th century. Linen and wool. Courtesy of @metmuseum. #MaharamLikes

#RonArad. Schizzo chair, 1989. Laminated beech and steel. #MaharamLikes

#PaulSmith. Albemarle, 2018. Designed in collaboration with @PaulSmithDesign, Albemarle is an upcoming #MaharamTextile that’s based on the cast-iron façade of Smith’s No.9 #AlbemarleStreet store in #MayfairLondon. When seen in large-scale applications, as at #NeoCon2017 (second image), Albemarle’s elegant geometry unexpectedly unfolds into organic undulation. The sixteenth woven upholstery textile created in collaboration with the British fashion designer, Albemarle launches in March.

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