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Kodak Motion Picture Film  Kodak's Motion Picture Film Community. Supporting filmmakers everywhere. #ShotOnFilm

http://motion.kodak.com/

Director/Producer Christopher Nolan instructs Kenneth Branagh on the set of Dunkirk. © 2016 Warner Bros. Entertainment Inc., Ratpac-Dune Entertainment LLC and Ratpac Entertainment, LLC. Photo by Melinda Sue Gordon.

Director Patty Jenkins, Actress Gal Gadot and DP Matt Jensen, ASC on the set of Wonder Woman. Matt shared some great insight about what it took to pull off this summer blockbuster in a recent #TheKodakery #Podcast (Listen on iTunes & Sound Cloud). #ShotOnFilm
Warner Bros. Pictures release © 2017 Warner Bros. Entertainment Inc. All Rights Reserved. Photo Credit: Clay Enos

Director/Producer Christopher Nolan and Director of Photography Hoyte Van Hoytema used Kodak large format film used to capture the action in both IMAX (15-perf) and 65mm (5-perf). A Warner Bros. Release. © 2017 Warner Bros. Entertainment Inc., Ratpac-Dune Entertainment LLC and Ratpac Entertainment, LLC. Photo credit: Melinda Sue Gordon

See our interviews with the creative team behind @babydrivermovie. Writer and Director @edgar_wright talks with us on #INTHEFRAME and DP Bill Pope, ASC is our guest on #TheKodakery podcast. Watch and listen (link in bio)

Photo courtesy of ©2017 TriStar Pictures, Inc. and MRC II Distribution Company L.P. All Rights Reserved.

DP Bill Pope, ASC is on #TheKodakery podcast this week. He shares some great stories about what it took to pull off high speed car chases, why he continues to work with Edgar Wright and what differentiates film from digital. His newest release, Baby Driver, is in theaters this week and was shot on Kodak 35mm film. Listen to the full episode now (link in bio)

Photo courtesy of ©2017 TriStar Pictures, Inc. and MRC II Distribution Company L.P. All Rights Reserved.

"Off Track Betty tells the story of a woman in a disappearing corner of NYC, so my DP @giacomobelletti and I believed that film was the perfect choice to capture these vanishing locations. Since we wrapped, they have been demolished. We're so proud to be part of a longstanding tradition of shooting on film." -- @eyesofclaytondean, Writer/Director

Shot on Kodak 16mm film. Stream @offtrackbettythemovie for free on Vimeo at Roku, Apple TV or http://www.offtrackbettythemovie.com/

"It's something hard for me to articulate but 35mm film has this way of capturing rawness and a sensation of movement that you just don't get out of shooting digital. On SUGAR, I was landing the exposure just before the point the image wanted to deteriorate. That method of shooting coupled with wide open Cooke S4 primes and a vintage Cooke zoom, gave me this rich and dreamlike look for the film. In some cases I flashed the film with a Varicon to tone the shadows; something I learned from Darius Khondji." - Ed Herrera, Cinematographer
Set image from "Sugar" courtesy of Cinematographer @e_d__h
Directed by: Michael Patti
Camera used: A camera: 2 Perf Arricam LT and the B camera: 3 perf Arriflex 435.
Finishing aspect ratio: 2.39:1
Film stocks: *5203 for day exteriors and day interiors. *5219 for nightclub scenes and high speed work.
Film lab: Kodak Lab in New York.
Post house: Metropolis Post.

"I feel so privileged to have discovered the medium of motion picture film early enough in my film making career to create a body of work dependent on it. Starting out and shooting music videos on film made sense because the limited time we had to shoot on set was mitigated by the incredible results we knew we would get with film. I can watch hours of digital rushes and not feel a thing, but a few takes with film and I know we have the shot... it's incredible. I'm thankful I knew it only made sense that I shoot my first narrative short on film." - Emily Kai Bock
Set Image from "A Funeral for Lightning" courtesy of Writer / Director / Editor @emilykaibock with Cinematography by @evanprosofsky

"I grew up working on film, and believe it helps you make the movie better” – The Book Of Henry DP, John Schwartzman ASC
#ShotOnFilm #3Perf #35mm #setlife
Photo Credit: Alison Cohen Rosa / ©Focus Features Release.

Shooting 3-perf 35mm yielded significant stock/processing savings on this production. (l to r.) Cinematographer John Schwartzman and actor Jacob Tremblay on the set of THE BOOK OF HENRY, a Focus Features release. Credit: Alison Cohen Rosa / Focus Features

Think you can tell a story in 2 minutes and 46 seconds with a 16mm 100ft roll of Film or 2 minutes and 30 seconds with a Super 8mm 50ft cartridge? Enter now for the quest for the Kodak Golden Reel! Link in bio.

Cinematographer John Schwartzman, ASC on the set of THE BOOK OF HENRY, a Focus Features release. #ShotOnFilm #3Perf #35mm #setlife
Photo Credit: Alison Cohen Rosa / ©Focus Features.

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