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Diana Vishneva  Official Instagram account Mariinsky and ABT (principal). CONTEXT festival founder. Inquiries: info@dianavishneva.com


This is my tribute; my words of heartfelt gratitude.
A tribute to the company that, many years ago, has become part of my life, and has always felt like a second home. Of my 22 years on stage, thirteen have been shared with the ABT. Not that long, one may say, but to me, this equals to a lifetime!
The ABT is a troupe like no other. The passion and dedication of its artists are truly rare for a large company; everyone will be there for you; everyone will lend you their shoulder, share your joy and your sorrow. The years with the ABT are now an inseparable, treasured part of my soul.
Among the people I’ve had the honour of working with over those thirteen years, some are no longer with us; others are no longer in dance, but the moments spent together, our show times and our rehearsals, remain in my heart.

On the Met stage, you breathe in the thrillingly vibrant energy of New York and sense its rhythm as it fills every cell of your body. I have experienced that while at the ABT, and this magical experience will stay with me as long as I live.

Life is cyclic, and I’m sure I will keep meeting my friends from the ABT both on and off stage. This is why today doesn’t feel like parting ways.
How would one forget all the love and warmth of those thirteen beautiful years?
No farewells, then. Fair winds!


#Repost @newyorkermag
To witness what’s so good about Russian ballerinas, one only has to watch @dianavishnevaofficial. The principal dancer leaves @abtofficial tomorrow, after thirteen years, with a performance of John Cranko's “Onegin.” See her rehearse the ballet at the link in our bio. Video produced by @ekrhyne.

"I didn’t want to be just a dancer, I wanted to own and use the language of art"

#dianavishneva #dianavishnevaabtfarewell @nytimes

'Why is Tatyana guiltier-seeming? is it that she, poor simple sweet, believes in her elected dreaming and has no knowledge of deceit? that, artless, and without concealing, her love obeys the laws of feeling, that she's so trustful, and imbued by heaven with such an unsubdued imagination, with such reason, such stubborn brain, and vivid will, and heart so tender, it can still burst to a fiery blaze in season? Such feckless passion -- as I live, is this then what you can't forgive?' Tonight... #dianavishnevaabtfarewell

Моя дорогая, любимая Ульяна!
Невероятная грусть от новости, что ты завершаешь свою карьеру.
Твоё имя и время навсегда останутся и будут в истории Мариинского театра и мира балета.
С бесконечным теплом в сердце я буду вспоминать наши годы, которые мы провели в театре вместе, с самых первых дней.
Ты была, есть и будешь неповторимой и уникальной Балериной!
Твоя Диана
My dear, beloved Ulyana!
My heart was deeply saddened when I heard the news about your decision to retire.
Your name and contributions to the art of ballet will remain in the history of the Mariinsky Theater as well as on the international stage forever.
I will guard the memories of our years spent together in the theater, starting from the very first day, with endless warmth and tenderness.
You were and will always be an exquisite and unique Ballerina.
Your Diana


#dianavishnevaabtfarewell ~Sylvia
~On the Dnieper
~Lady of the Camellias
~Tchaikovsky Pas de Deux ~Thaïs Pas de Deux
~Piano Concerto 1 ~Nuages
~The Dream


#dianavishnevaABTfarewell ~La Bayadere
~Swan Lake
~Sleeping Beauty

#dianavishnevaABTfarewell '4-days countdown to my farewell performances with the ABT.
Will there be enough time to personally remember everyone we have worked with over these thirteen years? At least, I will try!' ~Manon

'Not exactly a farewell… I may be leaving the @abtofficial, but my US-related plans are just starting to unfold, and the next steps are going to be as exciting as they are focused on developing new and innovative forms of scenic art. Stay tuned!' www.newyorker.com/magazine/2017/06/19/farewell-to-diana-vishneva @newyorkermag

Thinking of Sergey. Remembering dear friend and colleague...
'Symphony in C' choreography by George Balanchine
Mariinsky, 1996 • • •
Сергей Вихарев
9 дней

"Для российской ситуации персона Дианы Вишнёвой как двигателя прогресса безупречна – она пришла к современной хореографии прима-балериной из академического мира, не знающей ограничений".
Фото @irinatuminene

Журнал PROтанец: "Петрушку на премьере исполняла Диана Вишнёва. Она, как и Марина Неелова в спектакле Валерия Фокина, примерила на себя, образно выражаясь, гоголевскую шинель. Роль пришлась впору ее зрелому, уже в полной мере драматическому, таланту. Она сыграла божьего клоуна, беспомощного и трогательного, пытающегося получить свою, пусть крохотную, порцию любви"

Фотограф @savin.p • • •
'At the premiere the Petrushka part was performed by Diana Vishneva. Like Marina Neelova in the play of Valery Fokin, Diana tried on Nikolai Gogol's «The Overcoat», if speaking figuratively. The role was just right for her mature, already fully dramatic talent. She played God's clown — helpless and touching — who was trying to get his tiny bit of love'.

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